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Australian Art Education | 2 |
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Hulks, David | 1 |
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Parsons, Michael J. | 1 |
Rawding, Michael | 1 |
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Reports - Evaluative | 1 |
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Gitomer, Drew; And Others – Art Education, 1992
Explores student assessment by portfolio approach as used in the Arts PROPEL project. Argues that the content of art knowledge is embedded in a process approach in which techniques, elements, formal analysis, and historical images can be explored. Observes that learning is an active process and teacher student interactions concerning the portfolio…
Descriptors: Art Education, Art History, Discovery Learning, Evaluation Criteria

Hodsoll, Frank – Design for Arts in Education, 1989
Evaluates the state of art education in light of the National Endowment for the Arts Report, "Toward Civilization." Cites rationale for arts education and makes recommendations for accomplishing the Report's programs. Suggestions include a sequential curriculum, comprehensive testing, improved data gathering; recruitment of outstanding…
Descriptors: Aesthetic Education, Art Education, Art History, Art Products

Hulks, David – Journal of Art and Design Education, 1992
Reviews recent development in art education in light of the National Curriculum for Art in Great Britain. Maintains that critical studies, the concept of applying critical thinking to art history, are the key ingredients for the improvement of art education. Provides suggestions for implementing critical studies in the art education program. (CFR)
Descriptors: Art Criticism, Art Education, Art History, British National Curriculum

Parsons, Michael J. – Australian Art Education, 1994
Discusses three types of distance in art education that should be bridged: (1) between studio art and art criticism/history; (2) between thinking in images and thinking in words; and (3) between art and culture in cognition. Recommends a curriculum to integrate studio work with criticism and teach art along with culture. (CFR)
Descriptors: Art Criticism, Art Education, Art History, Cognitive Processes

Bracey, Nancy – Australian Art Education, 1993
Asserts that art history and art criticism have not met the needs and aspirations of female students. Maintains that teaching embroidery can help teach about a history of female oppression. Describes how this approach is used in the classroom. (CFR)
Descriptors: Art Criticism, Art Education, Art History, Art Teachers

Mason, Rachel; Rawding, Michael – Journal of Art and Design Education, 1993
Examines issues related to critical studies and educational goals included in the National Curriculum in Great Britain. Concludes that the emphasis on production in art education has declined and that aesthetics and cultural diversity, both components of critical studies, has increased insignificance. (CFR)
Descriptors: Aesthetic Education, Art Criticism, Art Education, Art History

Collins, Georgia – Studies in Art Education, 1995
Discusses the relationship between feminism and art education. Maintains that the role of women in art education research and curriculum development has made the field more compatible and congenial for women. (CFR)
Descriptors: Aesthetic Education, Aesthetics, Art Criticism, Art Education