Examines effects of aural, visual, and combined aural/visual conditions on the emotional response to music and dance of musicians and nonmusicians. Indicates no significant differences in perceived artistic tension based on musical background or on experimental conditions. Responses were similar regardless of prior consideration of the existence…

Discusses how to incorporate dance into a music curriculum. Describes the different "levels" and commands to use when teaching dance. Specifies that in third through eighth grade, students are introduced to different types of dance, the history behind the styles, and the choreography. Lists selected recordings and videos for grades K-8. (CMK)

Feedback is one of the most important aspects of improving performance because it corrects, reinforces, and motivates. It can also create bonds and enable students to see that their performance is important. This article defines feedback, presents three important functions of feedback, identifies the four forms of feedback, gives examples of…

In this article, the author talks about Motif Notation, a means of creating, recording, and reflecting on dance experience, and dance making as educational partners in an urban middle school. The author shares partial tales of middle school-aged children engaging in dance making and Motif Notation which illustrate the fact that teens need to…

This article describes the school-wide support behind an arts-infused dance curriculum at the Linwood A+ Elementary School. The "A+" stands for "arts plus academics." Linwood A+ Elementary School is based on this model, an approach to teaching and learning that infuses the arts into the whole curriculum. It is a vision of arts-infused teaching and…

This article explores the art form of dance as a metaphor for the teaching of theology. Employing the work of Maria Harris, the author contends that there are seven elements of dance than can serve as metaphors for teachers of theology: preparation, rhythm, movement, expectancy, response, embodiment, and performance. Each dance element is…

The author talks about the benefits of dance education in the middle school setting. The author describes a scene in a dance classroom where all students can be successful, for within the confines of the space, a broad spectrum of learning preferences are addressed and multiple intelligences are acknowledged and validated. The author stresses that…

In the past three years, the author has taught yoga classes to students at the Pioneer Valley Performing Arts Charter Public School, in addition to her job as Dance Director. This school already is an open environment; the students are generally interested in the arts and the Pioneer Valley in Massachusetts is known for its…

An important outcome of Singapore's education system is the development of creative thinking skills. This project investigates the impact of a creative dance unit on a class of Primary One (seven-year-old) children's usage of bodily kinaesthetic intelligence to solve problems. One key objective was for the researchers to observe something new,…

This article describes a teaching improvement process from the perspectives of a dance instructor and a teaching consultant who worked collaboratively. Several strategies to improve course organization and student assessment are introduced, and the effects of these strategies on the instructor and students are discussed. (MT)

Describes the history of the Philadelphia (Pennsylvania) Dance Company, known as PHILADANCO, founded in the early 1970s by Joan Myers Brown at her Philadelphia School of Dance. PHILADANCO has sought to discover and train a corps of local Black dancers to build a strong dance company and important cultural institution. (AF)

Conferences, conventions, and publications aimed at HPERD professionals seek to improve the public image of physical education and its related disciplines. Adopting a marketing approach offers a framework and stimulation to accomplish such a task. (Author)

Education in the arts has the power to be intrinsically valuable and to help fulfill nonaesthetic, utilitarian goals. Art education can improve cognition, promote social relations, stimulate personal development, and foster citizen productivity. An examination of dance education shows at least 19 ways to connect dance to academics and the world of…

The cultivation of a community environment that attracts the creative worker requires technology, talent, and tolerance. The creative knowledge worker seeks a community not only with technological resources, often including a research university at its hub, but also the presence of arts, culture, and diversity. The Social Impact of the Arts study…

Incorporating school health and safety standards into dance education curriculum standards contributes to developmentally appropriate activities, lifetime competencies, a properly supervised learning experience, and the promotion of safe activities for students. Dance educators, physical educators teaching dance, and administrators are responsible…