The purpose of the "Perspectives" section of "Research in Dance Education" is to make available valuable material relating to dance education that is out of print and, therefore, difficult to obtain. In this issue's "Perspectives" contribution, the author raises issues that are significant for dance education and possibly as relevant today as…

The purpose of this study was to discuss the dance technique class experiences of students in a university dance program. Working within a post-positivist methodological framework, I interviewed five university dancers. Using the lenses of phenomenology and hermeneutics, I compared and contrasted the women's stories with each other's and my own.…

-This paper was presented to the VII Commonwealth and International Conference on Sport, Physical Education, Recreation and Dance in Brisbane in 1982 (1200 delegates) and was subsequently published in Volume 1 (Dance) of the Conference Proceedings by the Department of Human Movement Studies, University of Queensland Australia. The Conference…

In the dance studio, the mirror can play a large role in the dancer's learning process. Research on learning and memory shows that reducing the amount of feedback during training enhances long-term motor skill retention and that more externally focused attention may aid performance. Research testing the effectiveness of training with a mirror as a…

The Brazilian martial art, "capoeira", is popular in many countries outside Brazil, including the UK. "Capoeira" is generally taught by Brazilians whose livelihood depends on recruiting and retaining enough paying customers to keep their classes economically viable and socially pleasurable for the students. The teachers also…

Learning to move and moving to learn are vital aspects of every child's growth and development. Physical therapists and educators have consistently advocated the importance of being involved in a range of movement activities and games. Movement can provide an avenue for learning and interaction with others and can be linked to language and…

Three popular models of dance education are discussed: romantic, reductionist, and reinforcement. What is needed is a unitary model, which provides an integrative approach to dance education by relating the emotional, skill-dependent, and intellectual aspects of dance to other subject matter. (RM)

A conceptual framework, patterned on the Presage-Process-Product model, was designed to help sequence relevant elements of the dance teaching-learning process. Research based on this framework is needed to generate practical and theoretical pedagogical guidelines. (Author/DF)

Dance in the physical education program allows students to express themselves while keeping fit. Aerobics is a good starting point for introducing dance into the curriculum. Suggestions for developing an aerobic dance unit are given. (DF)

The Khmer Classical Dance Troupe are particularly poignant representatives of the peoples and music that are becoming part of America in the 1980s. Sought out for death in their own country, specifically because of their art, these refugees are the caretakers of all that remains of a 1200-year-old Cambodian tradition. (RM)

Outlines the author's experience as a dancer and choreographer artist-in-residence with third graders at a public elementary school, providing a cultural arts experience to tie in with a theme study of the rain forest. Details the residency and the insights she gained working with students, teachers, and theme. (SR)

Describes the importance of creative dance for the development of young children and the incorporation of creative dance in a preschool class. (RJC)

Argues that dance education should be a separate discipline from the physical education programs and that the National Dance Association needs to represent dance education. Notes that the "Dance Curricula Guidelines K-12" delineates the common core of knowledge, and comments on inservice education and state certification for dance…

Describes why and how to make movement part of the teaching routine to enhance the curriculum. Information is presented on movement logistics, managing movement, and music. The article explains how to integrate movement activities into specific science, social studies, math, and language arts units at various elementary school levels. (SM)

Dance education offers the opportunity for students to learn effective communication skills, gain self-confidence, and increase awareness of different cultures. At the heart of any quality arts education program is a sound curriculum that provides all students with sequential instruction and helps them achieve arts literacy. An introductory dance…