The intent of this action research study was to determine the effect peer coaching had on transfer of skills and content in the secondary arts classroom. Incorporating both qualitative and quantitative methods, the study took place in two public high schools, one a suburban high school and the other a first ring suburban high school (close to an…

Traditionally, concepts such as art appreciation, student-centered learning, and holistic wellness have often been at odds with educational priorities on selected school subjects and teacher-centered learning. Education reform around the world has triggered shifts from traditional to innovative practices in education. This article addresses the…

As a Certified Laban Movement Analyst and a classically trained ballet dancer, I consistently weave the Laban Movement Analysis/Bartenieff Fundamentals (LMA/BF) theories and philosophies into the ballet class. This integration assists in: (1) Identifying the qualitative movement elements both in the art of ballet and in the students' dancing…

This article provides a practical framework for infusing a body-listening or somatic approach into the dance class. Although the concept of body listening is not revolutionary or ground breaking, it has been underemphasized in the dance technique class and needs revisiting. From reflection on current research, as well as from several years of…

Uses the author's experiences as a performer, choreographer, artistic director, and teacher to investigate the notion of the performer's presence in dance, providing examples from her teaching a graduate module in performance making (choreography) to illustrate how performance practice and poststructuralist theory can influence each other. Three…

Separating theoretical knowledge from practical knowledge and from direct engagement with dance is limiting and distorts nature of dance. The challenge is to demonstrate how rationality of subject works, show progress from intention to action in creating and performing dances, articulate purposes of making and performing a work, identify…

Recent research about sexuality and dance has begun to address the needs of gay male dancers, yet the needs of lesbian dancers have remained mostly absent from scholarly discourse. Exploring the lesbian lacunae, or invisible spaces of dance education, reveals the personal, political, and pedagogical implications of their existence within the dance…

Integrating principles from the Alexander Technique into a dance technique class can provide tools for facilitating a more coordinated use of the self. While the methodologies of Alexander Technique and dance technique may present differences, there are ways of applying the principles of Alexander within the context of a dance technique class that…

For nearly 25 years, the author has driven the highways and back roads of Illinois, teaching dance to school children, leading family programs, performing lecture/demonstrations, and choreographing technically simple, conceptually complex pieces with and for young dancers. The author's home base is Champaign/Urbana (C/U), twin cities with a…

Regardless of geographical limitations, community partnerships can flourish through videoconference technology. This article presents iDance Arizona (iDA) research as a tool for supporting the teaching and learning of dance in rural settings. This research focuses on university/K-12 collaborations and examines the pedagogy of videoconferencing in…

As children see the first snowflake fall from the sky, they are filled with anticipation of playing in the snow. The snowy environment presents a wonderful opportunity for presenting interdisciplinary activities that connect snow play, snow formation, and snow stories with manipulative activities, gymnastic balances, and dance sequences. In this…

Based in bodily awareness, somatic education has many points of relationship with dance education. Body-Mind Centering[R] (BMC), with some of its roots in Laban Movement Analysis/Bartenieff Fundamentals (LMA/BF), has a particularly easy link to dance. When studying Body-Mind Centering, the theoretical components are often taught through dance…

Dance as an art form is transformational to body, mind, and spirit. The author opines that public education would do just fine if dance was the "only" subject taught. This article presents the author's reflection on progress of dance in K-12 education. The author contends that progress in dance in K-12 education can perhaps be judged by the fact…

For many years, the author has incorporated creative process into the way she teaches ballet class. The author shares the philosophical, practical, and artistic reasons for the creative process in ballet classes. She also shares the rationale and how this practice developed over time.

````````Incorporation of an experiential anatomy component into the modern technique class educates students about the body in a way that permanently and positively impacts how they move. It is our responsibility as dance educators, whether at the elementary, secondary, or college level, to teach students how to care for their bodies and make…