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Umamaheswaran, Paneerselvam; Ramachandran, Sharavan; Sivasubramaniam, Shivadas D. – Journal of Academic Ethics, 2020
Music plagiarism is defined as using tune, or melody that would closely imitate with another author's music without proper attributions. It may occur either by stealing a musical idea (a melody or motif) or sampling (a portion of one sound, or tune is copied into a different song). Unlike the traditional music, the Indian cinematic music is…
Descriptors: Foreign Countries, Plagiarism, Music, Films
Ewing, Micah – Music Educators Journal, 2019
Music students, their teachers, composers, and school communities experience deep, long-lasting growth in music-making and artistic perspective when provided with opportunities to engage in the commissioning of new musical works in conjunction with composer residencies. Through consideration of relevant literature and case-study examination, the…
Descriptors: Music, Music Education, Music Teachers, Musical Composition
Yücetoker, Izzet – International Education Studies, 2021
The aim of this study is to access editions of Italian Baroque works in place; to examine the availability of these works in terms of gaining techniques for playing in piano education, to gain new works aimed at different pedagogical stages in the field and to acquire new but unknown works in piano education repertoire. This research was carried…
Descriptors: Music Education, Musical Composition, Music, Teaching Methods
Gallo, Donna; Kuchenbrod, Emily – Music Educators Journal, 2022
In this article, we situate songwriting in elementary spaces as a vehicle for personal and musical expression and informed by popular music practices. We offer insights for how educators can anchor students' work by encouraging them to create songs for a specific purpose like shedding light on social issues relevant to their lives. This article…
Descriptors: Relevance (Education), Singing, Musical Composition, Writing (Composition)
Dennis P. Giotta; Nathan B. Kruse – Contributions to Music Education, 2022
The purpose of this instrumental case study was to chronicle high school students' creative experiences in a songwriting course. Ten students in Grades 10-12 composed original songs, learned to accompany themselves on keyboard and 'ukulele, and performed their songs in class and at a coffee shop. Data sources consisted of classroom observations,…
Descriptors: High School Students, Creative Activities, Singing, Writing (Composition)
Anna Kuoppamäki; Fanny Vilmilä – Research Studies in Music Education, 2024
This study explores young people's arts participation through music-making in Finland and the factors that may regulate that participation. It seeks to understand the construction of active modes of arts participation in and through adolescents' musical life courses. The interview study was conducted with young people (N = 18) participating in…
Descriptors: Music, Musicians, Music Education, Access to Education
Powell, Bryan – Journal of Historical Research in Music Education, 2023
The presence of popular music education in schools has expanded significantly in the past two decades within the United States in part due to the expansion of modern band programming. Initially developed and propagated by the non-profit organization Little Kids Rock (LKR), modern band is a term used to describe school-based ensembles that use…
Descriptors: Educational History, Music Education, Music Activities, Program Development
Leung, Halina; Burwell, Kim – Journal of Historical Research in Music Education, 2023
The purpose of this study is to explore the life and work of Pierre Sancan (1916-2008), an exemplary piano teacher who, like many masters in the apprenticeship tradition, is chiefly remembered today by his pupils alone. An all-round musician, Sancan had early success as a composer when he won the Prix de Rome in 1943, and enjoyed a flourishing…
Descriptors: Music Education, Music Teachers, Musical Instruments, Musicians
Hardalaç, Naciye; Eyyuboglu, Halil Tanyer – African Educational Research Journal, 2020
In Turkish music, it is possible to find different makams sharing the same core scale of notes. The subjects of this study are three such makams, namely Acem Küdri, Kürdi, Muhayyer Kürdi. We use computational analysis based on histograms, pattern search and dynamic time warping to reveal the similarities and dissimilarities of these three makams.…
Descriptors: Folk Culture, Music, Foreign Countries, Musical Composition
Stacey Garrepy; Cara Faith Bernard – Journal of Music Teacher Education, 2025
First-generation college students (FGCSs) are the first in their families to receive a baccalaureate degree. As a result, they face multiple sociological, familial, and cultural challenges as they navigate their college and professional environments. The purpose of this study is to explore the cognitive "soundtracks" that FGCSs create to…
Descriptors: Music Education, Music Teachers, First Generation College Students, Hidden Curriculum
Estrada, Tara Carpenter; May, Brittany Nixon – General Music Today, 2019
Music and visual art share many common elements, principles, and processes. The numerous commonalities shared between music and visual arts afford for natural, meaningful integration opportunities that create natural synergies. Synergy or syntegration is achieved when the learning outcomes accomplished through the integration of subjects are…
Descriptors: Music, Musical Composition, Musicians, Visual Arts
Timothy J. Groulx – Journal of Research in Music Education, 2024
Band repertoire lists evolved from a desire to make the school band experience "more educational" when school bands themselves were relatively new. The first national band repertoire list was created for the National Band Contest in 1924, with new lists published annually through 1943. These lists gave prominence to the literature they…
Descriptors: Musicians, Music Education, Educational History, Music
Matthew Clauhs; Beatrice B. Olesko; Martina Vasil – Music Educators Journal, 2024
Modern band programs have spread throughout the United States to create learner-centered and culturally affirming school music experiences for children. The four key concepts of modern band, (1) approximation and scaffolding, (2) decision-making, (3) iconic notation, and (4) culturally sustaining (music education), are congruent with many…
Descriptors: Music Education, Elementary Schools, Musicians, Music Activities
Després, Jean-Philippe – Research Studies in Music Education, 2022
Accessing the strategies implemented during real-time musical creative processes represents a challenge for researchers. Retrospective verbal protocol with subjective aided recall (RVPwSAR), where a first-person video is used as an aid to elicit feedback from a subject, has shown great potential for the study of real-time decision-making in sport,…
Descriptors: Music, Creative Activities, Video Technology, Feedback (Response)
McPhail, Graham; Tibbles, Sally; Cornish, Mary – British Journal of Music Education, 2023
The purpose of this paper is to discuss the impact of the Curriculum Design Coherence Model (CDC Model -- Rata, 2019) on the design practice of two music teachers in a middle school music class in New Zealand. The CDC Model proposes that deep learning first requires deep design coherence. This coherence is generated by three interrelated design…
Descriptors: Curriculum Design, Music Teachers, Music Education, Middle School Teachers