An art teacher conducts workshops in southwestern Colorado, mentoring young American Indian artists and their families. The subject matter and materials are derived from the local area, enabling the young artists to develop a sense of place as they learn the fundamentals of art. (TD)

Focuses on children as "wrapping artists," stating that a child's wrapping art includes elements of ritual: finding a special object, selecting and customizing the wrapper, and participating in the unwrapping event. Discusses surface decorating, the exploration of form through wrapping, and collecting wrapping-art. (CMK)

Describes how one teacher helped preschool children draw. Shows how she guided a 4-year-old to use stencils to draw fish independently, helped children use their knowledge of shapes to guide their drawing of animals, and guided children to draw what was important to them. Asserts that helping children to express their ideas independently in…

Describes an activity for third-grade students in which they learn about early American landscape painters, specifically Frederick Church, Thomas Moran, and Albert Bierstadt. Students create natural landscapes, using the basic elements of landscape compositions. Discusses the process. (CMK)

Room 13 is a Scottish primary school art group that is largely pupil managed, where learners have a designated "drop-in" space (Room 13) with artists-in-residence and make art that is engaged with contemporary practices. Using this example, I argue that this is an artist-teacher and artist-learner configuration that represents emerging…

Describes ten practical ideas for classroom teaching at the elementary level, including "roulette" writing, story map raps, and theme cubes. (MM)

Reviews studies of children's drawings and summarizes experiment which tested 5- to 11-year-olds for ability to execute color use differences and sensitivity to differences in heraldic, gradation, harmonic, and pure color use. It was found that children go from being completely unable to consistently able to produce appropriate differences. (MBR)

How third, fifth, and sixth graders made sculptures from polystyrene strips is described. Specific instructions for introducing the lesson are provided. (RM)

Student drawings which give testimony to the high standards of instruction offered in the art classes of U.S. schools are presented. The drawings reflect the way students think and see. (RM)

Lowenfeld was incorrect in equating the work of Cole with that of Franz Cizek, the Viennese art educator. Despite similarities in rhetoric, their teaching approaches and careers in art education were very different. Cole's emphasis on freeing the individual, her California exuberance, and holistic approach are more reminiscent of Isadora Duncan.…

This study extends previous work in the use of descriptive reinforcement procedures to increase productivity of new forms in artwork. Subjects were four kindergarteners who demonstrated an absence of diverse forms in their paintings. Results indicated that form diversity was improved and that the improvement lasted over time. (SJL)

Examined U-shaped development of graphic symbolization in children and in nonartist and artist adults. Found that drawing scores of adult artists did not differ from those of youngest children and artist adolescents, with a developmental sequence in acquisition of the ability to construct referential connections underlying visual metaphors.…

Describes an art activity for first-grade students in which the students draw their own still-life pictures, using teddy bears and balls as the subject matter. Explains that the students must include three objects, a line for the table, and overlap the shapes. (CMK)

Describes an art lesson that focuses on developing second-grade students' basic computer drawing skills. Explains that the students created a picture using shapes and copied their artworks onto the computer using a stylus. States that the students also wrote a story to accompany their computer pictures. (CMK)

Describes how a second-grade class used large templates to draw and paint five-digit numbers. The lesson integrated artistic knowledge and vocabulary with their mathematics lesson in place value. Students learned how draftspeople use templates, and they studied number paintings by Charles Demuth and Jasper Johns. (KM)