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Basic Reading Inventory1
Showing 16 to 30 of 185 results Save | Export
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Kennedy, Joan – CEA Forum, 2011
The pedagogical principle of experiential learning embodied in the oral interpretation of literature through Readers' Theater provides an avenue to accomplish a seemingly daunting task. Students' participation in reading, interpreting, discussing, writing, assessing, and performing their own creative responses to a literary work promotes a…
Descriptors: Cognitive Processes, Experiential Learning, Teaching Methods, Creativity
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Mraz, Maryann; Nichols, William; Caldwell, Safronia; Beisley, Rene; Sargent, Stephan; Rupley, William – Reading Horizons, 2013
In order for students to learn how to construct meaning from text, teachers must apply instructional strategies that will help readers transition from simple decoding of words to fluent word identification. This article will provide an overview of the literature related to the role of fluency in reading; explain research-based recommendations for…
Descriptors: Oral Reading, Reading Fluency, Theater Arts, Reading Instruction
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Udo, John Patrick; Fels, Deborah I. – Journal of Visual Impairment & Blindness, 2009
Without access to audio description, individuals who are visually impaired (that is, are blind or have low vision) may be at a unique social disadvantage because they are unable to participate fully in a culture that is based on and heavily saturated by the enjoyment of audiovisual entertainments. Audio description was introduced as an adaptive…
Descriptors: Visual Impairments, Drama, Oral Interpretation, Accessibility (for Disabled)
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Pettengill, Richard; Abt-Perkins, Dawn; Buckley, Shannon; Babcock, Katherine – English Journal, 2010
Dramaturgy, a tradition in European theater since the late 18th century, has in the last 30 years become firmly established in the United States. The dramaturg functions in the theatrical production process as a kind of literary and historical consultant to the director, designers, and actors. Although dramaturgs provide information to audiences…
Descriptors: Writing (Composition), Drama, Theaters, Audiences
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Dahan, Delphine; Mead, Rebecca L. – Journal of Experimental Psychology: Human Perception and Performance, 2010
People were trained to decode noise-vocoded speech by hearing monosyllabic stimuli in distorted and unaltered forms. When later presented with different stimuli, listeners were able to successfully generalize their experience. However, generalization was modulated by the degree to which testing stimuli resembled training stimuli: Testing stimuli's…
Descriptors: Auditory Stimuli, Stimuli, Phonology, Testing
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Simhoni, Orit – Qualitative Report, 2008
Sharing research findings with others is a fundamental concern of researchers. Qualitative research results may be disseminated in conventional (e.g., scholarly text or presentation) or innovative (e.g., art, drama, or poetry) forms. Given that researchers should select the best form of presentation of their work, it is worthwhile to explore…
Descriptors: Qualitative Research, Researchers, Social Science Research, Drama
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Josephs, Caroline – International Journal of Qualitative Studies in Education (QSE), 2008
The paper focuses on oral storytelling and transformation through the significance of the liminal zone as thresholding. Involving the reader-listener in an experiential and performative approach, the article draws on all of the senses, using a wide range of data such as dreams, drawing, writing, as well as the act of (sacred) oral storytelling and…
Descriptors: Story Telling, Educational Research, Oral Interpretation, Doctoral Dissertations
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Miller, Gail – Western Journal of Speech Communication, 1987
Examines David Wagoner's poetry to illustrate how interpreters can sensitize themselves to a poem's kinesthetic energy by attending to the physical cues of poetic structure such as sound and rhythmic patterns, line lengths and endings, typography, and tensions and resistances. (JD)
Descriptors: Oral Interpretation, Poetry
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Liow, Jong-Leng – European Journal of Engineering Education, 2008
Peer assessment has been studied in various situations and actively pursued as a means by which students are given more control over their learning and assessment achievement. This study investigated the reliability of staff and student assessments in two oral presentations with limited feedback for a school-based thesis course in engineering…
Descriptors: Feedback (Response), Student Evaluation, Grade Point Average, Peer Evaluation
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Colman, Penny – Language Arts, 2007
The relative absence of nonfiction in literature for young readers may have serious implications because nonfiction literacy matters. Nonfiction material is the crucible within which readers can gain the knowledge and skills that enable them to reach sound decisions in all arenas of life, avoid gullibility born of ignorance, and participate in an…
Descriptors: Nonfiction, Literature Appreciation, Literary Criticism, Literary Genres
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Keehn, Susan; Harmon, Janis; Shoho, Alan – Reading & Writing Quarterly, 2008
This study investigated the impact of Readers Theater on eighth-grade students, the majority of whom were reading below grade level. Over six weeks of a short story unit, one class participated in Readers Theater. The comparison group of like-ability students received more traditional literary and vocabulary instruction. Quantitative measures…
Descriptors: Theater Arts, Oral Reading, Vocabulary, Theaters
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Camangian, Patrick – English Teaching: Practice and Critique, 2008
Despite high levels of disengagement in urban literacy classrooms, few teachers have seen fit to explore spoken word--the performance of poetry--as a tool to engage students in literacy. Spoken word poetry serves as a powerful means of self-representation for youth that are traditionally portrayed as threatening, menaces to society that do not…
Descriptors: Social Justice, Social Control, Poetry, Urban Schools
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Bowman, Michael S.; Kistenberg, Cindy J. – Communication Education, 1992
Proposes to supplement the changes in oral interpretation pedagogy brought about in broadening the idea of "text" by describing an alternative approach to analyzing and performing texts based on semiotic theory and Robert Scholes' model of reading. (SR)
Descriptors: Higher Education, Models, Oral Interpretation, Reading
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Fortenbaugh, William W. – Philosophy and Rhetoric, 1986
Discusses Book 3 of Aristotle's "Rhetoric," especially the negative attitude expressed toward rhetorical delivery. (SRT)
Descriptors: Oral Interpretation, Philosophy, Public Speaking, Rhetoric
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Rickert, William E. – Communication Education, 1986
Provides a test that acquaints students with the metrical structure of a poem by selecting a familiar song that will accommodate the words of the poem. (PD)
Descriptors: Higher Education, Music, Oral Interpretation, Poetry
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