Offers descriptions of three class activities involving collaboration between basic composition and freshman composition classes, involving magazine production and peer response. (SR)

Represents an attempt to define the seriousness of errors by computerized tabulation and in a limited context, because no reliable accounting of general attitudes toward errors exists. (MG)

Examines the affective characteristics of basic writers and questions the hypothesis that they suffer from high writing apprehension and low self-esteem. Offers evidence of a group of basic writers in a larger group who had both low writing apprehension and high self-esteem. (MG)

Discusses the organization of two basic writing courses around reading and summarizing, following the typical description of summary found in composition texts. Notes that, based on their research, the authors no longer believe that summaries can be completely objective: instead, they believe that summary is an interpretive act and that students…

Discusses the use of computers in teaching basic writing to college students. Offers computer exercises and activities which foster a whole-language curriculum. (PRA)

Identifies two factors that contribute to the recycling of deficit pedagogy in programs targeted for marginalized students: traditional, technocratic definitions of literacy; and "uncritical dysconsciousness" (the acceptance of culturally sanctioned beliefs that, regardless of good intentions, defend the advantages of insiders and the…

Presents a case study analyzing the texts produced by a basic writing student in her first three-and-one-half-years of college. Argues that longitudinal studies that examine both personal and academic histories can provide insights about writing development that are not accessible through other research methods. (SR)

Examines the composing processes of basic writers, examining their tendencies toward writer's block, low-level goals, and writer-based prose. Suggests that basic writers be taught that the purpose of writing is to communicate with other people and that errors, revisions, and general messiness are part of the complicated process. (PAA)

Asserts that many composition instructors design courses around theories driven by two narratives of progress: solitary struggle; or earning placement by the dominant social order through passivity. Argues that these approaches are counterproductive and alienate the underclass, ensuring high failure rates at urban colleges and sending students…

Examines concerns regarding the current external and internal attacks on Basic Writing in relation to the entire field of composition studies. Argues that new "recognition work" is needed in Basic Writing. Exemplifies the possibility of developing the capacity to see local communities not as places to export composition's beneficence, but as…

Describes both past and more recent efforts by the California State University (CSU) system to come to terms with "remediation." Describes recently mandated collaborations between high school language arts faculty and CSU English faculty to reduce the need for remediation. Describes an ongoing outreach program addressing the needs of…

Examines the ways in which students in basic writing respond to rhetorical constructions of their generation. Argues that compositionists' efforts to intervene and mediate society's conception of youth are complicated by students' simultaneous acceptance and rejection of these representations. Explores the subsequent implications for students' and…

Focuses on two endeavors to improve basic writing: the statement on writing assessment adopted by the Conference on College Composition and Communication and the reauthorization of Chapter 1 funds of the Elementary and Secondary Education Act of 1965 to support educational remediation. (RS)

Describes an exercise for basic writers which encompasses reading, listening, and writing. Finds that Edgar Allan Poe's "Tell-Tale Heart" has an effective vocabulary, a first-person conversational tone for the "mad" voice, and a second-person direct address that makes it easy to follow. Notes that inexperienced readers can…

Identifies in the formation of United States college composition courses a tacit policy of English monolingualism based on a chain of reifications of languages and social identity. Shows this policy continuing in assumptions underlying arguments for and against English Only legislation and basic writers. (SG)