Fuses theories about Basic Writers and writer's block. Addresses, through the use of hypertext, how computers can help Basic Writers who experience this writing difficulty. Discusses the two main branches of students' difficulties (problems with genre and problems with the linearity of texts) which may be partially alleviated through the…

Borrows a rhetorical device from Isocrates, imitation, then combines it with the descriptive structure of Liva Polanyi and the referential (rather than expressive) aim of discourse from James Kinneavy to improve student narratives and prepare them for academic discourse. Describes how students imitate the structure of a brief poem, and they use…

Uses the University of Washington as a case study illustrating the double bind basic writing programs are caught up in at public research institutions on the West Coast. Claims the university's Educational Opportunity Program writing sequence is at risk in the face of the anti-affirmative action movement, Initiative 200. (NH)

The author argues that first-year students understand "writing" narrowly and that introductory writing courses should deepen that understanding. The article describes class projects designed to help students see themselves as authors (closely related to "authorities"), create a "community of dissensus," and raise awareness of ideology--their own…

By drawing upon numerous real-world experiences with reluctant writers, the author illustrates how tapping their interests can lead to improved writing skills and attitudes toward writing. The critical link between identity and writing is emphasized. Though the experiences in this article are drawn from the author's work with basic writers at the…

Gray-Rosendale continues a project begun with "Investigating Our Discursive History: "JBW" and the Construction of the "Basic Writer's" Identity" ("JBW" 1999) in which she employed a Foucauldian archaeological perspective to trace the dominance of as well as the disruptions within the three major metaphoric allegiances of basic writing studies:…

We examined the effects of in-class writing instruction, practice, peer review, and feedback on writing skills of undergraduates enrolled in a general psychology course. We rated writing for grammar, writing style, mechanics, and American Psychological Association referencing style. Significant differences emerged on the 4 writing skill domains (p…

This 10 week longitudinal evaluation study evaluated a brain-based learning curriculum proposed by Smilkstein (2003) by comparing student performance in a traditional basic writing curriculum with NHLP-oriented basic writing curriculum. The study included two classes each of experimental and traditional methods. Results of the data, gathered by…

This essay offers a history of a basic writing course that began at a public ivy campus in the 1970s. Relying on principles of universal design and on insights derived from his school's studio program about ways the institution's selective functions can impact curricular matters, the author describes how the basic writing course was merely…

Relates experiences of three colleagues who organized the panel "Confronting Class in and out of the Classroom" at a Conference on Basic Writing workshop. Suggests social class has been ignored in composition studies; neglect appears to be ending; neglect must end; and instructors' own class histories must be understood and accepted…

Examines a curious incident of racial tension in which an Asian teacher's approach to teaching writing became a subject of heated debate among white and black students. Probes the causes of tension within the class. (TB)

Foregrounds issues of race, ethnicity, and education, and ties together two important issues in teaching basic writing: how social and pedagogical issues in higher education shape possibilities for bicultural students' writings, and how these students can use their developing sense of literacy and their texts to explore identity. Discusses…

Argues that basic writing students need incremental assignment sequences to experience success in writing and to develop their abilities to write about abstract concepts. Describes a four-part sequence of writing assignments moving from observing to narrowing to generalizing to theorizing. (RS)

Compares White and African-American basic writers' texts produced during districtwide holistic writing assessments. Shows that White basic writers differ little from African-American basic writers, although African-Americans tend to use a stronger personal voice and drop standard word ending. Concludes that dialect is not the key issue. (MG)

Asserts that the renewed interest in rhetoric, evident throughout the professional discourse of English studies, is having a salutary effect on the theory and practice of the teaching of composition and basic writing. (MG)