Describes an experimental project where taped stories were presented to secondary pupils for their formal responses. Responses were correlated with age, IQ, and reading ability. In general, older students had higher appreciation and awareness scores, independent of any formal ability factor. Texts of these Australian stories are appended.…

Discusses the development of drama as a learning tool for children's language development. Applies James Britton's methods of language classification to the construction of functional categories of language that operate within the framework of drama and creative dramatics. (RL)

Describes Books on Tape, an unabridged audiobook publisher, and its appeal to the library market. Discussion covers reading styles used on the tapes, the lack of celebrity readers, the story of the company's founding and development, its use of computerized customer tracking and networking, the availability of replacement tapes, and cassette cover…

The 12 articles in this issue of "Indiana English Journal" are concerned with drama and oral interpretation in the classroom. Titles of articles are: "Up in the Tree, Down in the Cave, and Back to Reading: Creative Dramatics"; "Pantomime: The Stepping Stone to Drama"; "The Living Literature of Readers' Theatre"; "Do-It-Yourself Drama"; "Drama for…

Outlines a program for incorporating oral interpretation activities into an elementary school curriculum. (RL)

A teacher describes her use of oral family history and story telling to develop students' language skills. Guidelines for obtaining oral histories, developing a specific story, teaching acting techniques, and preparing for performance are offered. (DB)

Reviews the resurgence in the use of literature in the English-as-a-Second-Language classroom and reports on a writing class at a technical university in Singapore. The course included both reading and oral report components. Only general guidelines were given on principles of organization and presentation. Results indicate improvement in student…

Examines the current practices and possibilities of using the teaching-in-role strategy (where the teacher takes on a fictional role for educational purposes) through a survey of professional youth theaters. Finds that, of 38 programs that responded, all indicated having an educational program with several characteristics compatible with…

Explores the concept of "theater of the mind" and discusses design factors in creating audio works that effectively stimulate mental pictures, including: narrative format in audio scripting; qualities of voice; use of concrete language; music; noise versus silence; and the creation of the illusion of space using monaural, stereophonic,…

Describes the interpretive elements of literary messages, participants, and interaction settings from a social contexts orientation. Presents a framework, rationale, and an implementation strategy for social contexts component in interpretation education. Claims that such programs help participants, through the sensitive communication of…

Describes a project involving the presentation of "Le petit prince" as an exercise in dramatics by children in a French-Italian bilingual education class. Two steps in the process are discussed: (1) the study of the text, and (2) the activities involved in getting the play ready for performance. (AMH)

To determine whether gender differences exist in paralinguistic perception, 31 male and 59 female college students listened to an audiotape on which emotions were conveyed through ambiguous verbal statements and then indicated their perceptions of the conveyed emotions. Statistical analyses of the student responses in relation to students'…

Reading comprehension is often tested by teachers through verbal questioning of students on a literal, interpretive, or evaluative level. The drawbacks of this method are that it often doesn't develop understanding or require interpretation. Presents an example of how to develop thinking and comprehension through a questioning strategy focused on…

Provides an annotated bibliography of sources that will help teachers select materials and structure activities in oral interpretation, readers theatre, improvisation, and creative speaking for the English classroom. (MM)

Describes a project in England in which a class of 9- to 11-year olds enthusiastically and successfully explored the play "Hamlet" by writing about, discussing, performing, and visually interpreting the actual text. The teacher suggests that, with a little creativity, Shakespeare is very accessible to children. (SM)