Collaborating with "Project: Humanity," an acclaimed socially engaged theatre company, we mobilized, over 16 weeks, an applied theatre methodology of drama workshops and traditional qualitative research methods to explore issues of spatialized inequality and localized poverty with a youth shelter community in Toronto, Canada.…

Lists 122 research reports on acting, arts management, arts projects, evaluations of drama and theater, biographies, curricula, drama, dramatic dance and play, film and television, history, international theater for young audiences, puppetry, resources, script analysis, special populations, storytelling, teacher education, theater in education,…

Outlines the inception and evolution of "The Bonderman," a workshop devoted to the development of new theatre works for young audiences. Explains that the Bonderman is committed to: the development of the playwright; the development of the individual play; and the ongoing dialogue about the creation of new work for young audiences. Describes the…

Describes the work of Edith de Nancrede in developing theater programs for youth at Chicago's Hull-House during the early part of the twentieth century. Describes how her intense dedication to theater and education contributed to the success of Hull-House and to the achievements of its leader, Jane Addams. (PRA)

Describes ASSITEJ (Association Internationale de Theatre pour l'Enfance et la Jeunesse) which has provided influential stimuli for changes in children's theater since 1965. Provides additional support for the establishment of ASSITEJ as a significant force behind changes in children's theater, focusing on the International Congress of ASSITEJ held…

Offers impressions and reflections engendered by a trip to Reykjavic on similarities and differences in youth drama and theater in Iceland and the United States. Describes classes in creative drama, plays for young audiences, teachers, actors, directors, and the ASSITEJ/Iceland. (PRA)

Explains the creation of the New Visions/New Voices festival which focuses attention on developing new scripts for young audiences. Notes that unlike other playwriting programs, New Visions does not require a complete script for application. Outlines the selection, casting, rehearsal process, dramaturg involvement, and post-reading discussions of…

This article discusses the impact of critical work education and social exclusion in aiding and assisting school-aged children and young adults through projects that help reshape their connections to self and society. The visual and performing arts gave at-risk young people opportunities to explore their biographical histories and personal…