Notes that songs can bridge generations, draw students and teachers together, and remain forever in a child's memory. Suggests the following approaches for early childhood educators: sing with children, share favorite songs with students, allow students to sing and share their favorite songs, and do not focus on students' musical memory. (LBT)

Suggestions are made for choosing popular songs for classroom language study and for promoting their appreciation and interpretation. Examples are included. (MSE)

Describes the benefits of a curriculum that includes musical experiences. Discusses methods teachers can use to incorporate focused listening, singing accuracy, beat competency, and music appreciation into classroom activities. Suggested records and tapes are listed. (LB)

Focuses on repertoire selection, addressing issues such as beginning the process, keeping lists and resources for future use, seeing concerts as sharing experiences, and problems to avoid. Discusses the importance of networking and offers suggestions for enabling music educators to grow as teachers. (CMK)

The integration of French popular songs in French-language curriculum provides opportunities for students to learn about social, historical, and cultural aspects of French language. (CB)

Presents a nine-lesson plan that uses a French song to help improve Australian students' skills in the following areas: (1) translating from French into English; (2) listening for understanding; (3) listening for imitation; (4) oral imitation; (5) writing; and (6) researching. (CB)

Describes how a 1913 Music Supervisors National Conference (MENC) committee identified 18 songs to be included in the curriculum and taught to all U.S. students. Reviews the expansion of the song list and its contribution to a common repertoire for U.S. community sings. (GG)

Encourages the appreciation of music through listening, responding with body movement, and sharing with children. Points out that early childhood educators and children who are nonmusicians can make and understand music. Identifies basic problems with preschool teachers' current practices in using music with young children and provides a list of…

Frank Leto, a professional musician and a Montessori teacher, discusses his professional music career, family, the arts in Montessori education, the lifestyle of a professional musician, writing children's songs, and percussion instruments. Provides advice for teachers of music. (SD)

Around the world, the singing of lullabies and reciting of nursery rhymes foster children's development and show parents' love for their infants and young children. (BB)

Presents an interview with Julie Gold that addresses the importance of music in her education, her career as a songwriter, and her work as a professional singer. States that music and the arts is a crucial aspect of a child's education and that our society should recognize the triumphs of artists/musicians. (CMK)

Maintains that senior citizens and children are at opposite ends of the time line, but have common needs. Contends that intergenerational music programs provide benefits to both. Describes a successful intergenerational program involving elementary-age choral groups and senior citizen groups. (CFR)

Reports on a study that investigated the effects of the presence or absence of lyrics in children's musical selections on young children's responses to music. The children responded to either recorded lullabies performed by a women singing, or a solo instrument, or separate pieces with and without lyrics. (MJP)

Describes the benefits of including music in early childhood education programs, including teaching children about sounds, the elements of music, and cultural diversity. Provides a list of folk songs suitable for early childhood classrooms to support teachers' use of singing and moving. (EV)

States that, from 1900-1916, U.S. demographic make-up changed dramatically due to the influx of people from southern and eastern Europe. Also asserts that some of the musics of African Americans and Native Americans were introduced into the music curriculum. (CFR)