In this article, co-authors Brian Mooney, Joniesha Hickson, Aaleah Oliver, and Jahvel Pierce discuss language, race, and education with author April Baker-Bell. Speaking from their perspectives as teachers, scholars, researchers, poets, spiritual leaders, and cultural workers, their experiences address the importance of sustaining a Black…

Despite a wealth of scholarship documenting its linguistic complexity, students in the United States are rarely encouraged to speak or write in African American Language (AAL) in their primary classrooms. The authors documented how one teacher and his highly diverse second-grade class examined, explored, and experimented with AAL in an…

Starting with the writer's own experience as a reader, this article discusses poetry by Eric Roach, Derek Walcott, Linton Kwesi Johnson, John Agard, Edward Baugh, Michael Smith and Velma Pollard. It explores the sense of place felt by writer and reader, going on to analyse the poets' use of Nation Language, poetic metre and intertextuality in…

Spoken Word, presented here, is an embodiment of critical theory, where discourse centered on the intersections of race, class, identity, lived experiences, and critical consciousness are named, analyzed, and interpreted in critical performance narratives. Merging the social sciences and the humanities--blending narrative, radical performance…

Christensen discusses why teachers need to teach students "voice" in its social and political context, to show the intersection of voice and power, to encourage students to ask, "Whose voices get heard? Whose are marginalized?" As Christensen writes, "Once students begin to understand that Standard English is one language among many, we can help…

The ways in which Black consciousness and experience emerge in the works of three Black poets are explored in this article. Historical, cultural, psychological, and linguistic influences are considered. (GC)

Grounded in integrated and excerpt style (Emerson, et al., 1995), this article chronicles Mr. Lehrer, an English teacher who provides his students access to standard and nonstandard writing conventions. Student writing samples and discursive practices illustrate enhanced awareness of distinctions between nonstandard language (African American…

Discusses how Black orality, which combines elements of Black speech and music, is supplemented by dance and other nonverbal cues and actualized in the performance of contemporary Black poetry. (JMF)

Argues that literature teachers should select poetry that represents all ethnic groups, not only groups represented within the class anthology. Discusses the voice, theme, rhyme, rhythm, tone, and imagination of several gifted Black poets. Concludes that teachers must be aware of these voices and use the poetry of gifted Black poets to model the…

Discusses an interview in which Marcyliena Morgan elaborates on the necessity to analyze both microlinguistic issues of grammar and phonology as well as larger issues of discourse pragmatics and language ideology. The interview touches on African American poetry, the convergence of African American and standard English, and oases and indirectness.…