What might pre-service music teachers learn by stepping outside the formal curriculum? In between semesters student teaching in New York City, I investigated music education practices in the Vezo fishing village of Andavadoaka, Madagascar. By investigating how this community practices advanced musicianship learned primarily outside the classroom,…

This paper presents a broad-reaching effort to interrogate enduring colonial legacies as experienced by Native American youth in the United States of America and Black Portuguese youth of Cape Verdean origin in Portugal. As part of its methodological approach, it uses hip-hop--a cultural movement composed of four elements including rap music--to…

The concept of non-formal learning, which falls outside the categories of informal and formal learning, has not been as widely discussed, especially in the music education literature. In order to bridge this gap and to provide supplementary framework to the discussion of informal and formal learning, therefore, this paper will first summarize…

In this keynote, the author discusses dichotomies having to do with: (1) technology/digital proponents versus non-technology/analogue proponents; (2) a formal/formalist position versus an informal/informalist position; and (3) educator/teacher views versus artist/musician views. The author often wonders what the essence of these dichotomies are,…

During the 1920s, Walker Calhoun learned traditional songs and dances from his uncle, Will West Long, spiritual leader of the Big Cove Cherokees. Nine years ago, Calhoun began teaching them to his grandchildren and other young people. Calhoun has received numerous honors for his work to preserve Cherokee culture. (LP)

In this interview, Professor Harald Gaski, a Sami from Arctic Norway, notes similarities and differences in Sami and American-Indian cultures related to forced boarding schools for assimilation purposes, traditional education, religion, "yoiking" (singing) and music, connection to nature, and tribal schools. He advocates the…