Describes the musical history of Chicago, which culminated in the creation of the Chicago Symphony and the construction of Orchestra Hall. Theodore Thomas spent 30 years introducing Chicagoans to symphonic music. He founded the Chicago Symphony and, in 1904, led the first concert in Orchestra Hall. (CS)

Describes an example of community music making in which middle school students, their parents, and a senior adult band all participated in a concert. Indicates the concert intended to celebrate the participants' musical accomplishments, gain support for music education, and demonstrate that music can provide joy for performers of all ages. (CMK)

The article describes a program which introduced classical music to 18 students in a residential treatment program for adolescents with a history of substance abuse. Use as background music progressed to students requesting tape copies for personal use and group attendance at a symphony rehearsal and concert. (DB)

Outlines the innovative nature of the Sydney Symphony Orchestra's program of concerts designed especially for children ages five through eight that feature children as a participatory audience. The selection of repertoire and the types of support and resources provided for teachers are also discussed. (MDM)

Focuses on repertoire selection, addressing issues such as beginning the process, keeping lists and resources for future use, seeing concerts as sharing experiences, and problems to avoid. Discusses the importance of networking and offers suggestions for enabling music educators to grow as teachers. (CMK)

This paper presents research surveying the responses of university students enrolled in music classes for nonmusic majors with regard to several aspects of required concert attendance. Groups of subjects (n=258) enrolled in courses with required concert attendance were compared to those in courses without such a requirement. Results indicated that…

Describes how a local symphony orchestra changed its educational program for children to improve attendance and heighten music appreciation. Discusses the rationale for the new approach and includes descriptions of themes. Concludes that music appreciation programs must identify and utilize various motivational approaches. (CFR)

Maintains that choral music conductors strive to choose a variety of musical styles, genres, and historical periods. Discusses three types of programming approaches: (1) chronological; (2) thematic; and (3) concept. Includes four tables illustrating selection and pacing of choral music during a concert. (CFR)

Describes the collaboration between the school districts in western New York and the Buffalo Philharmonic Orchestra (BPO). Explains that when the Orchestra was forced to close, the schools bonded with the BPO and had "community nights" in which students performed before the concerts, involving parents and the community, to help raise…

Describes Leonard Bernstein's contributions to music education as a teacher of conducting and of musical awareness and appreciation, and as a university professor. Emphasizes Bernstein's love of teaching, people, and music. Encourages music educators and the music profession to contemplate his teaching skills to help students feel the joy of music…

Describes an activity designed to develop middle school choral students' writing skills: students wrote letters to the composers or arrangers of pieces they had performed at concerts; the students could address topics such as their reaction to the piece, general questions about composing, or discussing the performance of the piece. (CMK)

Presents an interview with Keith Lockhart, the conductor and music director of the Boston Pops orchestra. Lockhart reflects on the role of music in education and society and describes ways he tries to communicate with young audiences. Includes a brief biography of the conductor. (MJP)

Presents an interview with Julie Gold that addresses the importance of music in her education, her career as a songwriter, and her work as a professional singer. States that music and the arts is a crucial aspect of a child's education and that our society should recognize the triumphs of artists/musicians. (CMK)

Outlines the efforts of the National Endowment for the Arts' Chamber Music Rural Residencies (CMRR) program. The program seeks to educate and develop audiences for classical music in urban and rural areas. Discusses many of the classical orchestras and ensembles that the CMRR supports throughout the country. (MJP)

Presents an interview with Eiji Oue, one of the youngest conductors to ever hold that position with the world famous Minnesota Orchestra. Oue talks about his experiences working with and teaching young people across the United States. He also discusses differences between music instruction in the United States and his native Japan. (MJP)