This article describes an empirical study that explored the cognitive and emotional effects of teaching through shadow theater as compared to traditional storytelling of the same texts and songs in children on the autism spectrum disorder (ASD). The rationale is based on broken mirror theory anchored in research on mirror neurons. Fifty-seven…

A wide body of research has been conducted which examines the relationship between arts engagement and academic performance for the general population of students in U.S. schools. To date, few studies have been conducted that examine the effects of arts-based learning experiences on African American males' academic performance. To address this gap…

This paper explores rehearsals as a central learning structure of an urban youth organization. Drawing on research in participation, expertise, activity, multiliteracies, and situated cognition, it seeks to understand the extent to which the infrequently studied activity of rehearsal provides a space for cognitive growth. Using thematic coding and…

The purpose of this study was to examine how the infusion of theatre arts into the language arts and social studies curricula in grades 4 and 5 impacted the cognitive and prosocial development of special populations, as well as the students' attitudes toward learning. An experimental/control group design was employed. Various instruments were used…

This article addresses the less utilized, nontraditional techniques of experiential and exploratory theater as vehicles for promoting both cognitive and affective learning. It discusses puppets as provocateurs, evoking response through mime, improvisation, and exploratory theater and problem solving. (CT)

Presents the idea that playwrites adapting plays for children often simplify it so extensively that they do not serve the developmental needs of the child or the artistic conception of the play. Suggests that developing a thematic point of view for the play would help playwrites create fuller characters that are still understandable and enjoyable…

Addresses the need for educational drama to adjust to contemporary society. Examines the concept of drama as a "generic skill" and discusses the idea that drama underlies all aspects of existence, forming the basis of all learning and social interaction. Examines current research findings. (JD)

Describes the processes of thinking, learning, appreciation, and improvement of higher level thinking skills developed through the exploration and adaptation of Shakespeare's works at the middle school level. Offers suggestions for specific techniques, including character creation, casting, music, and rehearsals. (JPB)

Includes an annotated bibliography of documents in the ERIC system that (1) provide insight on the value of role playing and dramatic play in the classroom and (2) suggest a variety of classroom activities that use improvisation as tool to help children retain ideas, emotions, or any academic lessons. (JD)

Profiles Sherry Stidolph and her ongoing efforts to bring Shakespeare to children. Stidolph uses her knowledge of child development to decide which plays to choose and which elements to emphasize. Includes drawings by the children illustrating scenes from the plays. (MJP)

Argues that arts education should be a basic subject in the school curriculum because perception which is a key characteristic of art education is basic to intelligence. Outlines three phases of research concerning spatial ability and theories of perception. Highlights higher education's role in the relationship between arts education and general…

Describes the process through which a multiracial, urban elementary class of remedial students adapted the children's story, "Dr. DeSoto," for an in-class presentation. Expands on this example to discuss the role of drama in language, cognitive development, and problem solving. Includes extensive transcripts of the children's…