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Showing all 13 results Save | Export
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Juliana Spadotto; Nadia Saito – Globalisation, Societies and Education, 2024
Applied theatre extends beyond traditional performance and entertainment, using theatrical techniques to address social issues and engage communities. In this paper, we emphasise the importance of a socially and politically engaged approach to Applied Theatre (AT) using Paulo Freire's and Augusto Boal's works as primary references to support…
Descriptors: Social Change, Theater Arts, Social Problems, Disadvantaged
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Heinemeyer, Catherine; Birch, Paul; Rowe, Nick – Research in Drama Education, 2022
Out Of Character Theatre Company's Fresh Visions project pursued an innovative theatre-based research methodology which enabled sustained, in-depth, polyphonic and dialogic engagement around the future shape of local mental health services. Since our previous research (Heinemeyer, Catherine and Nick Rowe. 2019. 'Being Known, Branching Out:…
Descriptors: Theater Arts, Research Methodology, Innovation, Mental Health Programs
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Shelly Clevenger; Jordana N. Navarro – Teaching Sociology, 2025
This article provides an overview of the Survivors: Local Stories of Domestic Violence (hereafter, Survivors) civic engagement project. Survivors' learning objectives were to increase the understanding of the complexity of intimate partner abuse and foster empathy in outsiders' responses, something at the cornerstone of the #MeToo social movement…
Descriptors: Teaching Methods, Empathy, Family Violence, Citizen Participation
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Gallagher, Kathleen; Jacobson, Kelsey – Research in Drama Education, 2018
In this paper, the authors argue for novel, less mimetic, ways to harness "the real" in drama practices. They study particular youth theatre-making practices in a Toronto secondary classroom, both successes and failures, to make the case for an untethering of "the real" from realism's representational aesthetics. They further…
Descriptors: Theater Arts, Theaters, Drama, Aesthetics
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Perry, J. Adam – Studies in the Education of Adults, 2021
This article examines how performance-oriented arts practice with members of socially marginalised communities can be harnessed as a mode of grassroots civic participation, one that can transgress the expected norms of public communication that render some stories and speakers legitimate, and some not. The article will offer an analysis of a…
Descriptors: Foreign Countries, Housing, Urban Renewal, Disadvantaged
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Harvey, Lou – Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 2018
This article theorises the process of adapting my research on intercultural communication for public performance in collaboration with a theatre company. I frame the collaboration as taking place within a hospitable institutional space, and then consider what it means to enact hospitality interpersonally, given Derrida's understanding that the…
Descriptors: Intercultural Programs, Educational Research, Interdisciplinary Approach, Citizen Participation
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Percy-Smith, Barry; McMahon, Gráinne; Thomas, Nigel – Educational Action Research, 2019
This paper draws upon learning from three action research projects conducted as part of a Europe-wide project exploring young people's social and political participation. Challenging dominant discourses about what 'counts' as participation and what does not, the paper explores how, through the action research projects, young people engaged in…
Descriptors: Democracy, Action Research, Citizen Participation, Political Attitudes
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Silva, José Eduardo; Menezes, Isabel – Journal of Social Science Education, 2016
Purpose: To contribute for the ongoing discussion about associations between art education and citizenship education, presenting Augusto Boal's Theatre of the Oppressed, as a theatre method that exercises active democracy by means of promoting epistemological development merging Art, Citizenship and Education. Design: Drawing form a selected set…
Descriptors: Art Education, Citizenship Education, Epistemology, Interdisciplinary Approach
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Haedicke, Susan C. – Research in Drama Education, 2016
In a violent clash between rival gangs from Asnières and Gennevilliers in the banlieue north of Paris, a 15-year-old boy was killed at the metro station Les Courtilles, the last stop on Line 13. Inevitably, revenge attacks occurred. Security was heightened with hundreds of police patrolling the area, but residents and city officials alike…
Descriptors: Violence, Suburbs, Community Programs, Art
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Futch, Valerie A. – Youth & Society, 2016
This article explores collective identity as a useful theoretical framework for understanding social and developmental processes that occur in youth programs. Through narrative analysis of past participant interviews (n = 21) from an after-school theater program, known as "The SOURCE", it was found that participants very clearly describe…
Descriptors: Models, Collectivism, Identification (Psychology), Youth Programs
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Libman, Karen – Arts Education Policy Review, 2004
Arts advocacy is on the minds today of many who are involved in theatre education, and the arts in general. This author offers an interesting perspective on the movement by focusing on understanding who engages in arts advocacy, what they are advocating for, how they approach their efforts, and why they undertake arts advocacy in the first place.
Descriptors: Theater Arts, Advocacy, Art Education, Citizen Participation
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Nogueira, Marcia Pompeo – Research in Drama Education, 2006
This paper analyses a community theatre project initiated in 1991 in Ratones, a community in Southern Brazil. It began as an extension project of the State University of Santa Catarina and became an independent project coordinated by former participants, still in collaboration with the university. Aiming to evaluate the benefits of this theatre…
Descriptors: Theater Arts, Community Development, Foreign Countries, Community Programs
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Demetz, Kaye – Community College Journal of Research and Practice, 2004
During the last century, appreciation courses and theatre departments have gained a place in community colleges. An examination of current textbooks reveals that pedagogical approaches to introductory theatre courses have focused on fostering an understanding of the history and the "poetics" of theatre. While this avenue is useful, I propose that…
Descriptors: Textbooks, Introductory Courses, Course Content, Theater Arts