This paper is based on an inquiry carried out among a small group of children between the ages of 10 and 12 years, who, in the framework of an art-workshop, attended two theatrical performances of the same subject, Homer's Odyssey, but of quite different directorial approaches: the first performance had a narrative character following the basic…

Summarizes a comprehensive study isolating long- and short-term recollections of young audiences in regard to characters, themes, scenography, objects, and sound effects of 26 theater productions over a 17-year period. Finds that, in general, young audiences recall more strongly those theatrical elements further removed from reality. (SR)

Responds to Catherine Dezseran's call for children's plays with "serious" subject matter, approves of her ideas, and suggests that more pointed criticism of the contemporary plays she mentions would be helpful to writers of children's plays. (JC)

Reports on a study which interviewed children (fourth, fifth, and sixth graders) on the following issues: who should play child protagonists in children's theatre (adults or children); which actor in a particular production was most believable and realistic; and casting advice for directors of children's theatre. (SR)

"Children?s Voices" is a longitudinal research project to document and understand children's perceptions of live arts performance and the impact on their teachers and school communities. The research conducted in South Australia with 135 5?12-year-olds in four schools involves collaboration between the South Australian Department of…

Describes 45 third graders'"dramatic literacy" and the modal sources for inferences. Finds that (1) the more children used visual cues, the more they used verbal and psychological cues; and (2) inferences about the play's theme were related to aural recall of thematic dialogue and what children reported learning from the play. (SR)

Examines how old age is portrayed in 35 popular plays for children. Suggests ways children's theatre can help children form positive attitudes on aging. (PD)

Uses semantic differential to assess specific and global attitudes of children toward the theater experience. Shows that the semantic differential can be used with fifth grade children. (SR)

Rates children's responses to selected probing questions after they viewed a theatrical production. Finds that (1) those who received continuous class drama and theatre-viewing experiences since kindergarten gave more high-level responses; and (2) there was no significant difference between the way boys and girls responded to the questions. (MS)

Presents a study of the use of serious subject matter in plays for youth by (1) tracing the trends of increasing advocacy and acceptance of such subject matter and (2) outlining patterns in the ways in which such subject matter is presented, focusing on original, contemporary plays, written by American playwrights. (JC)

Performance in drama, dance, music, puppetry, or combinations of these arts can be an exciting encounter for young children. This case study investigated one 4-year-old's responses to a children's opera. Her responses before, during, and after the performance were systematically observed and analyzed. Data showed that the child had some knowledge…