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Lohmann, Laura; Bookenberger, Lisa – Arts & Activities, 2012
The sixth-grade art curriculum includes world cultures and the art-history timeline. This lesson was created as the authors were developing relevant projects. They also presented it at an Ohio Art Education Association fall conference as part of their thematic unit, "Art of the Himalayas." As teachers, they were fascinated by the annual…
Descriptors: Studio Art, Art Activities, Grade 6, Elementary School Students
Turner, Matthew – Journal of Aesthetic Education, 2009
Recent theories of the aesthetic appreciation of nature or natural environments have done much to clarify what might be essential to such appreciation. Such accounts are incomplete, however, as they depend on a strict separation between works of art and nature itself. This paper shows how classical Chinese landscape painting offers a way to…
Descriptors: Painting (Visual Arts), Foreign Countries, Physical Environment, Aesthetics

Hinshaw, Craig – School Arts: The Art Education Magazine for Teachers, 2005
For thousands of years, the three perfections--painting, poetry, and calligraphy--have been considered the mark of an enlightened person throughout Asian cultures. Fifth-grade students learned about these three hallmarks by studying three works from the Detroit Institute of Art's Asian collection: a nineteenth-century Japanese hand scroll, a…
Descriptors: Grade 5, Visualization, Poetry, Art Education

King, Judith – School Arts: The Art Education Magazine for Teachers, 2004
The "Heavenly Horse" is a work of art revered for its spirit, strength, and beauty. It is a symbol of military might and political power. The size of the object suggests that it was made for an important person. Impressive as he is, this horse was not created as an art object. He was found in the tomb of an influential person. Scholars do not know…
Descriptors: Foreign Countries, Horses, Discussion (Teaching Technique), Political Power