This paper explores the conflicts engendered during the artist's formation due to repeated submission to assessment in formal creative arts education. In a comparative qualitative study of two visuals arts practice undergraduate curricula, the underlying interpretative approaches to intentionality were uncovered to comprehend the impact of the…

This article suggests how teaching artists can develop practical coursework in audio playwriting. To prepare students to work in the reemergent audio drama medium, the author created a seminar course called Radio Theatre Writing, taught at Arkansas Tech University in the fall of 2014. The course had three sections. First, it focused on…

Artists and designers are positioned at the centre of the twenty-first century creative economy. In order to recognise and make the most of the opportunities afforded by this new era, artists and designers still require the creativity, disciplinary depth of knowledge and technical skills traditionally possessed by professionals in these…

This paper investigates teaching artists in the USA whose work is rooted in dance and dance-related disciplines. Teaching artists, although the descriptor itself remains both ambiguous and debated in the USA, provide a good deal of arts education delivery in K12 schools and afterschool programs. Based on survey data from a range of dance teaching…

An interdisciplinary arts curriculum at Columbia College (Illinois) offers young arts professionals an opportunity to deepen creative exploration while preparing for administrative and teaching careers. The program offers collaborative teaching and classes that include students with many individual specialties. Five studio courses concentrate on…

Advocates the development of community college programs to train professional artists. Considers the following elements important to program success: a faculty of working artists, a studio-based curriculum, adequate facilities, enrichment activities, and an open atmosphere. (DMM)