The purpose of this interdisciplinary educational experience was to explore dynamic interaction between student dancers and graduate physical therapy students in a structured learning environment regarding prevention of dance injuries. A second aim was to determine the utility of a self-report outcome measure and the Functional Movement Screen…

The purpose of this ethnographic study was to investigate the Montclair State University's West African drum and dance ensemble. Analyses of the data revealed three themes related to individual participants and the "lived reality" of the group as a whole, and to the social-cultural teaching--learning processes involved: spirituality,…

Environmental, organizational and attitudinal obstacles continue to prevent people with vision loss from meaningfully engaging in dance education and performance. This article addresses the societal disabilities that handicap access to dance education for the blind. Although much of traditional dance instruction relies upon visual cuing and…

When children create dances using their ideas, they are empowered to explore their thoughts, feelings, and perspectives. Through dance, they bring their inner self to the surface where they can express their dreams, fears, needs, and joys. Dance educators need to support children's ideas and trust the children's creative process, especially when…

The authors work in the most difficult conditions to create the most crucial art. In this article, the authors share their experience in teaching art at Devereux Deerhaven, a home for abused and neglected girls. They arrived at Devereux Deerhaven unprepared for the residents and the facility. Yet, they left educated about their students and the…