Five studies investigated children's perception of scale and contour in melodies. It was found that young children can detect key transposition changes in familiar and unfamiliar melodies and are sensitive to melodic contour over transformations that preserve it, yet distinguish spontaneously between melodies with the same contour and different…

Reports a study designed to investigate patterns of music listening among music and nonmusic majors regarding four primary constituent elements of music--rhythm, dynamics, timbre, and melody. Finds that musicians do attend to listening in a significantly different manner than nonmusicians do. (DB)

Presents results of a test of nonmusic majors' ability to remember song titles. Suggests that, although the process of categorization seems to be a basic function of perception, appropriate categorization needs to be learned. Supports the view that music learning, like verbal learning, involves a categorization of stimuli based on holistic…

Reports on a study of children's preferences between slow and fast tempo classical music excerpts. Finds that students preferred music with a slow tempo. Concludes that repetition had a positive effect on children's preferences. (CFR)

Presents study results on effects of historical and analytical information on subjects' responses to music listening experiences. Attempts to learn how best to increase the overall value placed on music by people without musical training. Compares groups with (1) no background information; (2) historical information; and (3) analytical…

Presents results of a study of whether undergraduate music majors would prefer sequenced piano music to recordings of actual performances. Finds no significant differences between ratings for technical merit, artistic merit, and overall impression. Finds recording quality ratings higher for sequenced pieces. Suggests that sequencing may allow an…

Presents study results of the effects of different teaching methods on the ability of nonmusician, college students to distinguish meter. Explains that one group heard meter defined with examples, another emphasized meter with large muscle movements, and a third heard examples with reinforcing clicks. Reports that all groups differed from the…

Presents study results on the cognitive-affective response to music as affected by three dimensions of preparatory set. Explores self-perception of musicality, attitude toward style concepts and valuing of music experiences, and beliefs and expectations of music listening. Concludes that perception of musicality, general attitude, style…

Elementary teachers participating in the study thought of music listening as a separate activity and not as one that permeated all music instruction. Assigned listening was utilized mostly in singing, in the playing of instruments, and in traditional music appreciation lessons where students were asked to listen to a recording. (Author/RM)

Compares preferential ratings of art music among 100 music majors and 100 nonmusic majors. Finds that music majors' preference ratings were significantly higher than those of the nonmajors. Also finds that Likert-scale ratings of nonmajors using the Continuous Response Digital Interface were higher than those using a static measure. (CFR)

Presents results of a study that explored the effect of overt categorization on musical preference. Found no difference in choices of nonmusic majors when choices were structured as stipulated, unstipulated, or free form categories. Finds musical experience and gender affected preferences for pop and jazz, but not for rock music. (DK)

Reports on a study of inexperienced and experienced music teachers to determine the dominant perceptual dimensions used to classify classical musical excerpts. Finds that listeners generate an internal hierarchy that reflects their individual background and knowledge. Concludes that instructional methods are as important as the music selected for…

Reports on a study of music listening preferences among undergraduate college music majors, high school musicians in performance groups, and sixth-grade students in eight U.S. sites. Finds instrumental biases among high school and college musicians' preferences for relatively unfamiliar classical music. (CFR)

Presents results of a study in which music teachers and students with varying levels of experience and expertise evaluated musical performances. Finds differences in subjects with high levels of expertise are a result of more than experience. Concludes that developing an accurate measure for expertise would aid in obtaining the best role models as…

Reports on a study of third-, fourth-, and fifth-grade students to identify and conceptualize meter in music. Finds that ability to perform these tasks improves with maturity and with use of hand gestures as well as verbal response. Concludes that it is important to match curriculum with the developmental levels of students. (CFR)