Despite claims that Creative Writing and Composition don't speak to one another, this article finds that composition does borrow fictional craft elements and artistic tools. Moreover, these devices and tools show up in composition pedagogy in two ways: explicitly or implicitly. Many of the tools found come from fiction writers and poets, while…

Discusses H.D.'s influence on Adrienne Rich in the context of Rich's vision of female literary tradition as a "family" model of influence in which mothers and daughters, represented by past and present authors, seek to transcend the divisive attitudes of patriarchy (in contrast to Bloom's theory of literary, oedipal rivalry). (ML)

Examines the relationship between self and modernism in the context of Sri Lankan poetry in English. The dissolution of the unitary self and the problem of its representation in literature are closely linked to the dynamics of writing in English in a country in the Outer Circle. (24 references) (JL)

Examines some themes in the work of the African surrealist poet, Aime Cesaire. The elements in his poetry are found in the natural world. Filled with tension, his work demonstrates cultural liberation, independence and dignity, and the desire to reclaim nature, salvation, God, and peace. (BJV)

Reviewed in this essay are works written by and/or about women. Topics discussed include women and the literary tradition, women poets, studies of individual women novelists, and feminist criticism. (EB)

Describes and presents examples of work from the Western Michigan school of bad versemakers, a group of nineteenth century poets who strove to give their frontier experiences high seriousness, but achieved, at best, unintentional humor. (MM)

Examines the individual self of the writer and the growth of Singaporean poetry in relation to the determining pressures of the past and present. The way that the colonial experience and the political, economic, intellectual, and psychological recovery from that experience have affected the self-definition of the poet is explored. (28 references)…

Careful scrutiny of the literature and actions of Paul Laurence Dunbar reveals that he was more a part of the African-American protest tradition than scholars have been led to believe. He cannot be grouped with the plantation school of writers because of his opposition to slavery and white paternalism. (SLD)

Religious feeling is always interdependent with racial feeling in the poetry of Langston Hughes. He views religion in the larger context of black culture, presenting it variously as a source of strength for the oppressed, an opiate of the people, the religion of slavery, and an obstacle to emancipation. (BJV)