Describes the hardships and successes of the Peoria (Illinois) Players Theatre through its 76 years of existence and how it overcame its troubles. (PA)

Organized along broadly historical lines, this comprehensive collection of outstanding plays includes 41 works from the classical Greek period to the contemporary. As an introduction to the theater, the collection is unmatched for its theatrical variety and cultural diversity. It provides: (1) a general introduction on reading and witnessing a…

The Swedish ethnic theatre in the United States flourished and provided a vigorous cultural expression among Swedish immigrants for over five decades beginning in San Francisco in 1863. Swedes in Chicago alone produced between 9 and 24 plays per season from 1888 to 1915. All over the United States, Swedish settlements had their own Swedish…

Traces standards and goals for children's theatre in America, since its founding in 1903. Outlines positive and negative aspects of children's theatre. (PD)

Divides collegiate theater instruction into four phases: between 1900 and 1925, between 1925 and 1945, from 1945 through the mid-70s, and from the mid-70s until today. Reviews research about each era. (PA)

Describes the development of the Children's Theatre Foundation, a significant source of funding for projects in children's theater. (MM)

Discusses George Maciunas' pivotal contributions to the renaissance of SoHo, the New York City community south of Houston Street. Recounts the establishment of Fluxus cooperatives, the history of the FilmMakers' Cinematheque, Maciunas' long struggle with the Attorney General's office, and closes with a description of the February 1978 erotic Flux…

Examines style in children's theatre, focusing on pantomime, vaudeville, and theatre of the absurd. Traces shifts in the appeal of these styles from adult to children's theatre and then possibly to extinction. (PD)

The author, an instructor from 1979-83 at the Children's Theatre Program of the Komplex Budaya Negara (National Cultural Complex), describes how children's theatre has evolved to achieve a distinct Malaysian identity by drawing from traditional theatre forms. (PD)

Traces the Stanislavski system for realism in acting from its origin within Moscow Art Theater, through its modification by Lee Strasberg and Elia Kazan in the Actor's Studio, to its use in modern American films. (JMF)

Explores production ideas for plays other than works by Shakespeare, including medieval plays such as the "Wakefield Noah" by the Wakefield Master. Lists some questions to consider when deciding to perform a medieval play. (PA)

States that Constance D'Arcy Mackay was instrumental in defining the genre of children's theater in the early 20th century. Discusses her career highlights. Concludes that Mackay played a pivotal role in the "making" of the history of children's theater in the United States, and that while little of her personal history is known, her…

Describes how the Soviet Union's move from state to self-financing and self-management of theater companies and studios mandated by the 1986 theater reforms has fostered an explosion of new groups and experimentation, though not always with corresponding audience support. (PRA)

Addresses the following censorship issues: (1) whether a group has the right to impose its world view on another group; (2) whether artistic visions which attack any group's values should be permitted; and (3) the limits of artistic freedom and who defines those limits. Cites examples from various plays through the years. (PA)

States that the special place that the Mickey Mouse Theater and its leader, Betty Lyman, occupy in the history of the Federal Theater project can best be understood in the economic and political context of the Depression. Concludes that there is little evidence to suggest Lyman's group contributed to the growth of children's theater in Indiana.…