The mandate to foster social intelligence through public education is the historic basis for the federally funded programs resulting from the 1965 Elementary Secondary Education Act. Art as an instrument of social change also was the goal of a 1970 summer program initiated by the Guggenheim Museum for New York's inner city youth. Under the…

The integration of the study of art and history in a broad context of social, cultural, and political meaning cultivates a students' creative, aesthetic, critical and art historical sensibilities. This unit of study explores the time of the Roman Emperor Trajan, the decades from A.D. 98 to 180, a period considered to be the height of civilization.…

Art was introduced into women's education in 19th century Boston as a kind of finishing school treatment to equip them for marriage and later for careers as school teachers. Common school art emphasized practical application. Feminine art education, by contrast, promoted the teaching of art as high culture. (Author/RM)

Analyzes drawings by children from a Dutch East Indies exhibition in 1937 organized by educator Johan Toot. Divides the drawings thematically and discusses how the drawings are influenced by various cultures. Describes how Johan Toot worked to replace rote learning with an activity-based education. (KM)

Examines the social, ideological, and cultural forces in colonial United States when plaster casts of Grecian and Roman sculpture were introduced. Describes how they were used in U.S. public schools and art museums to transmit the cultural heritage at the end of the nineteenth century. (KM)

The Depression of 1929 heralded a difficult time for the teaching of art. Changes during this era included more utilization of technology, a shift from elitism to art for all children, integration of art into the social studies curriculum, and emphasis upon self-expression, rather than art appreciation. (CS)

Provides four sample activities and illustrations to develop students' perceptual skills. Seeks to help teach students that (1) understanding art takes time and effort; (2) personal reactions are important; (3) understanding the culture in which artworks are created is useful; and (4) many different approaches are available for understanding art.…

This article examines the formation, structure, and program of the Public Industrial Art School of Philadelphia, Pennsylvania, and the two men who directed it during its brief existence between 1880 and 1916, Charles Godfrey Leland and J. Liberty Tadd. Special emphasis is given to the pedagogical theory articulated by Tadd. (Author/RM)

Since the Industrial Revolution, a separation has occurred between art education, taught in the academies of Europe, and applied art education, taught in common schools. The academies based their teaching on limitation; the common schools based theirs on geometric drawing. Ideological and social factors are examined to explain this occurrence.…

African-American women have played a major role in the history of the arts. This history, which is filled with discrimination, is traced for music, dance, drama, and the visual arts. Those who have overcome these obstacles can be effective teachers for future audiences, artists, and decision makers. (SLD)

A special theme issue of this biannually published journal illustrates a range of topics that public folklorists in New York state have addressed in their work. The first article, "Forty Years before the Mast: Sailing the Stormy and Serene Seas of Public Folklore" by Bruce R. Buckley, introduces the volume by setting public folklore in…

The document presents an historical review of art and art education at Ohio State University from 1874-1944, discussing various philosophies of art, educational trends, and important personalities. The objective is to use trends and events at Ohio State as a microcosm of art and art education in the United States. Emphasizing the dual nature of…

This resource kit, for secondary teachers of art, social studies, and the humanities, presents an art appreciation activities program that spans the visual art history of the United States. The kit is organized into nine chronological sections that follow the history of art in the United States: (1) Native American Art (prehistory to the present);…

There is a general demand for information in regard to the condition of drawing and art in the elementary and secondary schools of this and other countries. In partial response to this demand Mr. Royal Bailey Farnum, specialist in drawing and handwork in the New York State Education Department, has prepared this manuscript showing the status of…

Describes the career of Scottish artist and art educator William Johnstone (1897-1981) and how his achievements, which are traced to 20th-century modernism, have influenced both art design and childrens' art education. Concludes that through Johnstone, progressivism in art and education converged, producing a model for creative expression in art…