In 1917 and 1918 Charles Hubert Farnsworth, a music educator, and David Snedden, a critic and educational theorist, exchanged views on the social and educational roles of art and music. Their divergent positions are explained in light of Farnsworth's interest in philosophy and Snedden's schooling in Spencerian and Darwinian thought. (Author/IS)

This special commemorative theme issue features a Philadelphia Folklore Project that sought to encourage a wider discussion about art and the politics of culture; to document and explore the history of a significant folk art form--in this case, tap dancing--from the perspective of the generation of African American women and men who "came…

African-American women have played a major role in the history of the arts. This history, which is filled with discrimination, is traced for music, dance, drama, and the visual arts. Those who have overcome these obstacles can be effective teachers for future audiences, artists, and decision makers. (SLD)

A special theme issue of this biannually published journal illustrates a range of topics that public folklorists in New York state have addressed in their work. The first article, "Forty Years before the Mast: Sailing the Stormy and Serene Seas of Public Folklore" by Bruce R. Buckley, introduces the volume by setting public folklore in…

This is a study in the two fields of the fine arts which have largely found their way into the curriculum of the secondary schools during the past 30 years. Anne E. Pierce, associate in music at the University of Iowa, made the study of music. Robert S. Elbert, assistant professor of art education, University of Minnesota, made the study of art…