Organized along broadly historical lines, this comprehensive collection of outstanding plays includes 41 works from the classical Greek period to the contemporary. As an introduction to the theater, the collection is unmatched for its theatrical variety and cultural diversity. It provides: (1) a general introduction on reading and witnessing a…

Divides collegiate theater instruction into four phases: between 1900 and 1925, between 1925 and 1945, from 1945 through the mid-70s, and from the mid-70s until today. Reviews research about each era. (PA)

Explores production ideas for plays other than works by Shakespeare, including medieval plays such as the "Wakefield Noah" by the Wakefield Master. Lists some questions to consider when deciding to perform a medieval play. (PA)

Addresses the following censorship issues: (1) whether a group has the right to impose its world view on another group; (2) whether artistic visions which attack any group's values should be permitted; and (3) the limits of artistic freedom and who defines those limits. Cites examples from various plays through the years. (PA)

Discusses censorship issues, such as the "decency clause," that affect both commercial and collegiate theater. Examines how the subject has been weighed and viewed by courts from a number of perspectives. (SR)

An overview of the textbooks for teaching directing from the 1920s through the 1980s reveals several trends in how directing has been taught. The books published before World War II indicate that classes were intended for the director of community theater and school productions. All aspects of play production are included, such as techniques of…

Discusses changes that have taken place in children's theater in the United States during the past 25 years. Describes a few persistent problems that, despite striking and positive shifts, have attached themselves to the achievements and have refused to go away. (SR)

Describes Elbridge T. Gerry's work from 1874 to about 1900 as founder and director of the New York Society for the Prevention of Cruelty to Children. Notes his place at the center of the controversy surrounding children on the professional stage in New York. (SR)

Discusses copyright laws and presents a history of copyright. Outlines a four-step process of licensing a show. Considers different myths of copyright. Lists seven points in detail describing what "you can and cannot do" regarding copyright laws. Presents a list of 24 resources for copyright and licensing information. Discusses the consequences of…

Reflects on the evolution of a British Film Institute course in avant-garde film. Discusses the historical development of the genre; production, distribution and exhibition of avant-garde film, as well as political relevance. (JMF)

This document is a portrait, scripted in a four-part reader's theater format, of the educational experiences and early professional work of librarians who emerged from formalized library education programs at the University of Illinois and the University of Texas in the years between 1897 and 1913. The script was derived from student journals and…

This book presents a concise history of the first 100 years of development of the school of speech at Northwestern University (Illinois). Following an introduction that provides an overview of the school, the first chapter focuses on both the efforts of Robert McLean Cumnock to found a school of oratory on the principles of elocution and the…

Educators today may find a historical review of the Howard Players at Howard University (Washington, D.C.) in the 1920s important because of its implicit commentary on what constitutes community. While the Howard Players are generally written about in terms of the development of an African-American theater, historians ought also to think of their…

Relates how the Jesuits made the performance of plays integral to the curriculum of their schools. Reveals Jesuit rationales: (1) theater permitted them to accomplish their mission of propagating the faith; (2) public performances served as excellent publicity for their schools; and (3) theater could educate students who participated as no other…

Briefly traces the history of South Africa from British acquisition in 1815 through the creation of the Union of South Africa in 1910. Presents a chronicle of the year 1900 to show part of the European achievement in close-up. Lists accomplishments in literature, fine arts, science, technology, music, theater, and dance. (GEA)