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Williams, Michael – Use of English, 1990
Describes a "Shakespeare Coursework Unit" in which Shakespearean and other literary works of the Tudor era were analyzed for evidence of the gender biases prevalent in that period. Notes that by the end of the course, students accepted the assertion that textual analysis is never truly completed. (SG)
Descriptors: Drama, English Literature, Lesson Plans, Literary Criticism
Walsh, Kay D. – 1993
To gain insight into how critical standards for broadcast drama evolved with time, this paper examines the critical response to the development of broadcast drama in the first two decades of radio (1920-1940), as reported in the periodical press. The paper is based on two underlying assumptions: (1) that the stories a society tells are indicative…
Descriptors: Audience Awareness, Broadcast Industry, Criticism, Cultural Context
Aiex, Nola Kortner – 1991
College faculty who teach writing courses might find an examination of early religious literature helpful when trying to explain "writing for an audience" or "audience awareness" to their students. The Jesuit priest who preached to and wrote for the Indians in Brazil during the early colonial period, Jose de Anchieta, is a…
Descriptors: Audience Awareness, Christianity, Comparative Analysis, Drama