Offers suggestions to people in academic theatre on how to deal with controversial plays. (PD)

Argues that Theatre for Development in Bangladesh practiced by Non-Governmental Organizations, which is almost entirely funded by international donor organizations, serves globalization in the name of poverty alleviation. Concludes by advocating for the necessity of exploring alternatives by which indigenous theatre performers may access directly…

Suggests that theater has the power to teach and transform students, noting that traditional theatrical models often do not reflect student diversity. Research shows that students who have more exposure to theater show a higher degree of empathy and tolerance. The paper explains that theater's collaborative nature fosters understanding, and it…

Defines five elements needed in the construction of a sound theater program: curriculum, artistic quality, program participation, community and parental support, and administrative and faculty recognition. Discusses the importance of these elements. Concludes that, although implementing this program takes time, the effort is worth it. (PA)

Campus activities programers are encouraged to use creativity and to experiment in incorporating solo, or easily produced, acts into campus events. Ideas include using solo acts as openers or as part of larger special or traditional events. A sample campus survey, designed to discover campus preferences, is included. (MSE)

Relates a middle school teacher's experiences at an ISTA (International Schools Theatre Association) conference in Budapest, including viewing or participating in short performances, small ensemble work, and workshops. Describes her activities in the movement workshop. (PA)

Describes the experiences of a dramaturge (who researchers a play's history and themes and presents that information in educational contexts) who worked at a professional theatre. Notes that the job offered her the opportunity to do research, teach, and even publish. Suggests that her experiences as a dramaturge enhanced her skills as a teacher,…

Examines the idea of developing a play through a group effort. Draws on personal experiences of seeing this kind of work since the 1970s. Details techniques that have been used with various groups in a series of drama workshops over the years. (PA)

Notes that the 1994 Educate America Act included the arts as one of the eight core subjects, suggesting that they were no longer a curricular extra but an area of study as important as math, science, or any other subject. Asks 17 educators what they think will be the most important issue facing K-12 education during the next five years. (SG)

Notes that for prospective theater majors, the choice between pursuing the Bachelor of Fine Arts or the Bachelor of Arts degree is crucial to the student's chances of success in college. Discusses how the degrees differ and how to advise students. Includes some questions that prospective students should ask of theatre programs, and notes answers…

This booklet is designed to assist administrators and teachers in planning, developing, and implementing K-12 theater instruction. The materials presented in the booklet are intended to aid local school systems in planning local curricula, developing a local philosophy, defining local goals, evaluating the extent to which the goals are contained…

The booklet provides information and resources for cultural organizations and institutions interested in making the arts accessible to deaf citizens. Preliminary information includes a discussion of deafness in America and the deaf in the history of the arts and notes that the era of silent films was the golden age of cinema. Listed are 36…

Offers suggestions for evaluating the work of the theatre technologist, a professional whose responsibility is to solve technical problems and devise methods by which lighting, scenery, sound effects, etc. may be produced. (PD)

Educational specifications for a Columbus, Ohio, high school were realized in the designs for a library learning center, a performing arts center, and a system of ramps to handle the major circulation around the academic areas of the building. (MLF)

Considers how school agendas dominate virtually every aspect of professional theatre for young audiences (TYA) companies. Proves the historical heritages of this ideological dance. Explores the TYA field through perspectives of agency - the implications of the overt activities of the field in the signifying discourses of the field. (SG)