In this document, standards for knowledge and skill acquisition of Maine students in the visual and performing arts are identified. The document serves as a guideline for teachers regarding what students should know and be able to do at various checkpoints throughout arts education. The arts identified include dance, music, theater, and visual…

Several articles provide a theoretical overview of the Laban Movement Analysis (LMA) and describe its application. Rudolf Laban's work has many applications relevant to dance, physical education, recreation, and movement education. LMA involves training and refining how one perceives movement. It can help educators better understand students from…

Dance educators need to be aware of current career trends and focus their programs on practical needs of their students. Teaching, dance journalism, therapy, and photography are career options for the dancer who is not a professional performer. (DF)

This book looks at the origins and influence of dance in U.S. universities, focusing on Margaret H'Doubler, who established the first university courses and the first degree program in dance at the University of Wisconsin. The book sees H'Doubler (1889-1982) as both emblematic of her time and as an innovator who made deep imprints in U.S. culture.…

Examines why the arts, particularly dance, are significant in education and why art forms should be taught with other disciplines. The article provides examples of integrated arts experiences and describes how to begin with the essence of an idea and make connections in the arts and other curriculum areas. (SM)

Narrated by actor Kadeem Hardison, this documentary videotape presents arguments and examples for using Computer Assisted Instruction (CAI) in today's classroom. Experts in education examine how individuals currently use technology and suggest how people can use technology better in the future to augment and improve education. Many programs are…

This book illustrates why and how movements and dance are powerful tools for learning and creativity in K-6 classrooms. Designed to be a workshop on paper, the book helps teachers build on what they already know about movement and implement techniques that tap into children's natural interest in moving. Chapter 1,"Moving To Learn," explains the…

This framework for dance contains three instructional strands. Each strand has content standards and cumulative student learning expectations for grades K-4, grades 5-8, and grades 9-12. The three strands are: (1) "Basic Elements of Movement;" (2) "Arts in Civilization;" and (3) "Artistic Communication." The content…

Describes how two proficient teachers of physical education retrained to become proficient teachers of writing. Discusses the plan for retraining teachers; the connections between writing, tennis, and dance; revision; evaluation; and outcomes. (SR)

This paper addresses factors to consider in establishing a healthy learning environment and a satisfying first-year experience for dance educators. Factors include establishing a positive working relationship with principals and teachers, considering students' physical and emotional development, using discipline, fostering self-management skills,…

Two documents are combined. The first describes the Arts for Learning program provided by Urban Gateways, a Chicago-based, nonprofit arts and education organization that serves as a resource for schools in six Illinois counties. Urban Gateways provides the resources to make the arts an integral part of the learning process in elementary and…

This manual presents fourth through sixth grade physical education instructional units and descriptions of learning activities for dance, educational games, and gymnastics for grades 4 to 6. The first section of the manual presents information on incorporating the concept of progression in planning curricula for students. Suggestions are given for…

Describes art education program at Fillmore Arts Center, Washington D.C.; center is part of the Six-School Complex. Over 900 students are bused to this arts center for a half day of art instruction each week. Students take four art courses a year for total of 68 hours of art instruction in dance, drama, music, visual arts, and creative writing.…

The purpose of this guide is to offer guidance to community leaders from the arts, education, business, civic, and government sectors who seek to combine their talents and resources in partnerships to address the arts and arts education needs of the young people of their community. The guide draws on and summarizes the knowledge and experience of…

These arts standards represent a consensus concerning what every young student should know and be able to do in the arts. The Consortium of National Arts Education Associations believes that every student at every level, pre-kindergarten through grade 12, should have access to a balanced, comprehensive, and sequential program of instruction in the…