The authors assert that teachers are inherently performers and as such, techniques from the stage enhance and expand a teacher's ready repertoire of discipline-based content. Using performance theory, the authors demonstrate how an educator can transform ordinary classroom experiences into occasions that attract and engage students. In this second…

Explains how to perform a booktalk as a readers' theater script and offers guidelines for staging. Two examples are given, one for a picture book and one for a novel; and nine booktalks are provided for historical books that are suitable for adaptation as readers' theater scripts. (LRW)

Considers the pedagogy of teaching theater to college students who will be secondary school drama teachers, including available instructional materials and lack of methods courses. Calls for creation of a complete pedagogy for secondary school theater. (PA)

Describes development of a new youth theater in an academic setting meeting the needs of urban youth, while satisfying the very different academic demands of an innovative educational theater teaching program. Describes genesis and development; pedagogical principles underpinning both programs; how this model fosters the growth of a community of…

Describes the author's experiences directing at an interactive health education theater piece on acquaintance rape. Discusses personal and professional challenges and ethical dilemmas that came up regarding Post Traumatic Stress disorder, the activating of traumatic experiences. Argues that input from healthcare professionals was crucial, and…

This guide is designed to encourage the participation of seniors in the classroom by engaging young and old in joint ventures to reconstruct artistically their own, their families', and their communities' cultural heritage in writing, theater, and visual arts projects. Intended for both teachers and artists working in the schools, the book…

Discusses the results of interviews with five non-theater majors taking an elective course in child drama. Concludes that individuals with different backgrounds in creative drama can bring a diversity of opinions and knowledge to a college-level methods course. (MM)

This Ohio model competency-based arts program connects the four arts (dance, drama/theater, music, visual art) with educational, historical, personal, and social contexts in order to bring relevance and understanding to all students. The document is intended to provide guidance to local Ohio school districts in creating their own arts programs.…

Describes the creation of a set of outcome assessment guidelines recently developed for college and university theater programs. Categorizes outcomes in three ways: knowledge, skills, and attitudes. (KEH)

Describes how performing (of music, drama and other things from elementary school through college) has helped each of the author's three children (three very different people) along their respective paths, helping them to reach their goals and feed their souls. Argues that such programs in the schools are priceless. (SR)

Recognizes the importance of performance-based assessment in theater education because so many of the skills and concepts that are taught cannot be measured in a traditional paper and pencil test. Suggests the basic goal of performance-based assessment is to create an environment where students can show higher-order thinking skills. Gives a brief…

This guide, intended as a manual for the beginning director, educational filmmaker, or film school student, provides instruction for attending to the progressive elements of cinematographic craft, from the initial idea to the screen. The guide examines the structure of the script, aspects of acting and working with actors, music and sound, camera…

Narrated by actor Kadeem Hardison, this documentary videotape presents arguments and examples for using Computer Assisted Instruction (CAI) in today's classroom. Experts in education examine how individuals currently use technology and suggest how people can use technology better in the future to augment and improve education. Many programs are…

In response to new responsibilities that have come about as a result of the arts (dance, music, theater arts, and visual arts) being included in the basic curriculum in North Carolina, this monograph discusses the many approaches to interrelating different areas of the curriculum. The monograph responds to the following questions: (1) "Why…

This booklet sets out the state standards for students in Wyoming public schools for succeeding in the Fine and Performance Arts in grades K-12. Five standards are defined for benchmark grades 4, 8, and 11: (1) creative expression through production; (2) artistic perception; (3) aesthetic valuing; (4) historical and cultural context; and (5)…