The Early Learning Guidelines: Nebraska's Birth to Five Learning and Development Standards (hereafter referred to as the Guidelines) is a resource to provide information about young children's learning and development. The Guidelines are intended to assist adults in planning and providing meaningful learning experiences and environments for…

Dramatic play games emphasizing creative thinking and listening skills offer an emotional outlet for the entire class. Games involving pantomime, musical instruments, and communication are described. (CB)

This step-by-step approach to class plays will allow students to explore literature, think creatively, and learn to work together. Discussed are how to teach acting, choosing a story, teaching the story, rehearsing, and creating costumes and sets. (MT)

Pretend play is often undervalued and ignored. This videotape and accompanying booklet highlight how the dramatic scenarios, microworlds, storytelling, and block building of pretend play provide young children the opportunity to develop skills for a lifetime of intellectual, social, emotional, and creative development. The booklet describes the…

A charismatic teaching style turns the dance studio or classroom into a theatrical setting in which the dance instructor is "star" and the students are "supporting players." (CJ)

Intended for teachers who have no particular experience or training in teaching theater, but who have a love of theater and enjoy a good play, this book discusses making theater with children. It explores improvisation, reading and acting with scripts, adapting plays for young actors, and writing plays. The examples presented in the text are…

Improvisation can show teachers ways to use the senses to make ideas, emotions, or any academic lesson stick with a child. By using improvisational techniques, the teacher asks the student to play--to be active and to discover. For example, there are games to help the child to concentrate, verbalize, touch and make contact with other children, and…

Discusses the "socio-play" philosophy of drama education as practiced in the Soviet Union. Outlines the basic structure of the Soviet educational system. Recounts a Soviet educator's practice of socio-play philosophy. (SR)

Discusses connections between play and reading at the primary level. Notes that sociodramatic play has the clearest link to reading because it involves imagination and manipulation of time and reality. Argues that play facilitates reading when it involves both the manipulation of symbols and acts of reading and writing. (MM)

Explores the benefits and hazards of staging simulated news incidents in the classroom to teach journalism students the need to maintain a professional stance at all times. (HTH)

Presents a play tutoring strategy for integrating young developmentally delayed children into play with nondelayed peers. The method used simplifies sociodramatic play through the use of play formats. (RJC)

Fingerplays are enjoyable and versatile additions to program activities and can provide an informal opportunity to practice manipulative and coordination skills. As an instructional supplement in a variety of content areas, this form of dramatic play fosters the development of intellectual and language skills. Caregivers of young children often…

Offers suggestions for promoting dramatic play as a medium for literacy development by concentrating on three factors: (1) the settings in which play occurs; (2) the amount of time allocated for play activities; and (3) the type of teacher involvement in play episodes. (MG)

Examines reasons children find superhero play so attractive and discusses how it relates to children's development. Also makes a case for allowing superhero play and suggests strategies to make such play a constructive experience for children. (KS)

Describes various types of play typical of infants and toddlers. Includes discussion of the developmental benefits of object play, social play, motor play, and imitation. Focuses on the concept of causality, toddler-invented games, repeated movement to gain mastery, and the beginnings of dramatic play. (KB)