In addition to discussing the program for teaching typewriting to blind students using the auditory mode, the article presents a sample lesson in print, along with typing rates achieved by earlier classes. (DLS)

Assessment of severely multiply handicapped children was completed via formal and informal assessment with data covering medical, ophthalmological, auditory, and educational aspects. Visual functioning was evaluated by considering the type of visual stimulus experienced, varying visual tasks, and student motivation and ability. Auditory evaluation…

The manual describes a procedure to assess to what extent a deaf-blind multiply handicapped student uses his residual hearing in the classroom. Six levels of auditory functioning (awareness/reflexive, attention/alerting, localization, auditory discrimination, recognition, and comprehension) are analyzed, and assessment activities are detailed for…

For learning handicapped children with impaired language associations, patterns, and expressions, this paper summarizes relevant linguistic research and instructional strategies. Linguistic auditory memory pattern exercises and examples are then presented as an integrated multisensory approach which has been found useful by special educators.…

Explores ways teachers can teach attentive listening and makes suggestions for developing listening skills used in natural ways in the classroom. (FL)

Discusses use of short-wave radio broadcasts as method for expanding students' appreciation of practical advantages of language learning. Suggests use of news broadcasts and gives guidelines for using broadcasts such as level of aural comprehension in class. (Author/BK)

Visually impaired students need specially designed relief maps to learn map reading and to achieve geographic literacy. The development of geographic instructional materials, including relief maps and audio-tutorial cassette tapes, for low-vision students in grades 5-10 is described. (AM)

The article reviews the literature on listening as an effective learning skill for the visually handicapped, and suggests ways of helping visually handicapped students to improve their listening skills. (Author/DLS)

Discusses the benefits of using mental-memorization techniques in conjunction with kinesthetic memory. Expounds that memorization helps students feel both more secure and musical. Describes several kinds of memory: physical kinesthetic, mental kinesthetic, visual memory, aural memory, and structural memory. Gives tips for strengthening memory and…

Described are many diverse games and activities designed to develop listening skills when teaching music. The techniques used, and concepts to be taught or reinforced are included. (KC)

Describes visual, auditory, and kinesthetic learning modes and suggests children's literature that corresponds with each mode. Characteristics of students who prefer one of the three modes are given, and examples of children's literature appropriate to each group are provided. (KRN)

A clinical psychologist describes an approach she uses to assess learning disabled students. She explains that brain function is analyzed through a sequence of tasks charting visual and auditory discrimination, perception, memory, organization, integration, and output. An example is cited in which an 11 year old child with traumatic brain injury…

The techniques for effective listening can be identified by the acronym PAT, which stands for three sets of techniques--physical, attitude, and thinking. Four kinds of physical techniques promote effective listening: appropriate eye contact and normal blinking rate, facial feedback, appropriate body language, and appropriate verbal feedback. Two…

Some aural activities are described that can help language students with their listening comprehension. They include dictation, a "who am I?" exercise, sketch-drawing, chart completion, a comparison exercise, and a flow diagram. (LB)

Describes the Envelope Vowel Approximation System (EVAS), a foreign language pronunciation learning system which allows students to see as well as hear a pedagogical model of a sound, and to compare their own utterances of that sound to the model as they pronounce the same sound. (Author/CMV)