This book lets readers see how children and youth learn words in the oral and written languages--and how teachers can best assist learners in the understanding, reading, and writing of words for successful literacy development. In the book teachers learn the differing rationales for using sound/symbol or phonics approaches in word learning, for…

Transcripts of 11 dialogs based on rhythmic syllable groups, which make clear the rhythmic structures at the base of spoken French, are presented. Phonetic, lexical, and grammatical variation within the same rhythmic structure strengthen the exercise. The exercises are for intermediate and advanced adult students. (MSE)

Argues that the language experience approach to the teaching of beginning reading not only makes use of the valuable resource of children's speaking, but also cultivates their metalinguistic ability and eases their transition between two very different forms of language. (FL)

The importance of integrating written with oral language in second-language instruction for children is emphasized, and ways to do so naturally in the first two years of French language teaching are outlined. Specific exercises are described, particularly for the second year. (MSE)

A classroom approach that brings oral and written language learning closer together is outlined. The strategy focuses on proper pronunciation using minimal pairs and uses exercises designed for listening and visualization, production, discrimination, re-use and reinforcement, and computer-assisted instruction. (MSE)

This article suggests that to better prepare students for the American Council on the Teaching of Foreign Languages (ACTFL) oral proficiency interview, it is up to instructors to see that these students are better prepared in oral, creative speech. Bridging exercises between dialogue memorization and personalized situations can be used to help…

This curriculum guide, designed for use with migrant students, provides oral language activities in listening comprehension, critical listening, oral expression, and vocabulary development. The activities within the four broad categories are divided into the following specific skills: (1) simple directions; (2) complex directions; (3) main idea;…

This oral language program, designed for children ages 3 to 5, is divided into 11 sections covering the themes of self and senses; family, home, and friends; teddy bears; school and community; colors; food; animals; clothes; summer fun; holidays; and vehicles. Numerous cutouts are provided to prepare for the activities in this book, and each…

This book provides discussion of the theoretical foundation for the integration of the language arts as well as practical suggestions for K-12 educators and teacher trainees. The essays, listed with their authors, consist of (1) "Relating Reading and Other Language Arts: A Need for Reasoned Decisions" (Mark W. Aulls); (2) "Reading, Writing,…

Students need teacher guidance to have ample practice in understanding and using the concept of intonation and its inherent parts: (1) stress (placing emphasis); (2) pitch (higher or lower sound); and (3) juncture (pauses). To communicate effectively, students need to utilize stress, pitch, and juncture appropriately in oral and written discourse.…

Based on an examination of research on the language acquisition of children, the articles in this book are organized into three interrelated sections. Section one, "Language and the Young Language Learner," focuses on what and how children learn as they begin to acquire their language. The topic of language differences is also explored. Articles…

Suggests that retelling a story or expository text can help less proficient readers improve their reading comprehension. Provides guidelines for the use of retelling in the classroom. (ARH)

Shows how retelling stories appears to be a strategy to improve comprehension, concept of story and oral language. (EL)

Describes the InQuest Procedure, which actively involves the reader or listener with narrative text through a combination of student questioning and spontaneous drama techniques. (FL)

It is suggested that native speakers understand that narrative in literature is a form of transcript of full discourse, and students of English can learn the same clues of transaction and interaction in texts through exercises in plot analysis, plot mutation, and scenario derivation. (MSE)