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Geli, Jennifer A. – Exercise Exchange, 1998
Uses character analysis borrowed from drama classes to work on literary selections. Gives writing assignments to students based on characters from a story. Conducts interviews with the "characters" in class. (PA)
Descriptors: Acting, Characterization, Class Activities, Classroom Techniques

Roberts, Sherron Killingsworth – Reading Horizons, 1998
Provides a theoretical framework for designing a children's literature course that requires preservice teachers to critically analyze literature in ways that are personally meaningful. Suggests how preservice teachers can read children's literature intensively rather than extensively. (PA)
Descriptors: Childrens Literature, Critical Reading, Higher Education, Instructional Innovation

Haspel, Paul – Teaching English in the Two-Year College, 2002
Considers how screening Stanley Kubrick's "2001: A Space Odyssey" in a sophomore film class shows modern community-college students that millennial anxiety existed well before late 1999, the time of "Y2K" fears. Presents an assignment that examines "2001: A Space Odyssey" in the context of its time and in 2001. (SG)
Descriptors: Computer Attitudes, English Instruction, Film Criticism, Futures (of Society)

Versaci, Rocco – English Journal, 2001
Notes that the primary goal for teaching literature is to encourage students to see themselves as having a voice in the question of what constitutes literary merit by defining reasonable parameters by which to judge a creative work. Discusses how the author uses comic books in most of his composition classes and all of his literature classes. (SG)
Descriptors: Comics (Publications), Community Colleges, Literary Criticism, Literature Appreciation

Monton, Elena Ortells – Academic Exchange Quarterly, 2003
Susan Lanser's poetics of point of view provides sound basis for the unveiling of the deeper layers of significance embedded behind the formal properties of a literary text. By applying her theory to the analysis of Porter's "That Tree," this article aims to yield a practical example of its enlightening use in the classroom. (Contains 18…
Descriptors: Colleges, Cultural Exchange, Higher Education, Instruction
Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. – 1996
An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen,…
Descriptors: Authors, High Schools, Higher Education, Literary Criticism
Singer, Carla Michalove – 1994
Line, shape, color and texture have always been the universal components of visual expression. Together these elements form a visual language. This packet is designed to be used as part of the Thematic Tour "First Look" offered by the Georgia Department of Education. The material explores some of the ways people use pictorial language;…
Descriptors: Art, Art Appreciation, Art Criticism, Art Education
de Rijke, Victoria; Cox, Geoff – 1994
This resource, which includes nine colored postcards, offers words and pictures to stimulate classroom discussion of the key issues relating to both the institutions of art and of education. It attempts to challenge and question the current relations of power, hierarchies, and received information in the field of art education. Part 1, "On…
Descriptors: Aesthetics, Art Criticism, Art Education, British National Curriculum
Bannister, Linda; And Others – 1994
Three professors at Loyola Marymount University, Los Angeles, reflected about a course they taught together on the use of metaphor in language, art and literature. In examining a wide range of art works with their students, including prose by E. A. Poe, Nancy Mairs, Henry James, and Woody Allen and movies such as "Dr.…
Descriptors: Communication (Thought Transfer), Higher Education, Humor, Instructional Innovation
Cobine, Gary R. – 1993
A critical reader "does more than simply soak up bits and pieces of information." He applies a personal reserve of knowledge and experience to a text to ascribe possible meanings. In other words, he interprets. In addition, he compares his own values and beliefs with those suggested to him by a text and defends them, if necessary. In…
Descriptors: Critical Reading, Critical Thinking, Higher Education, Literary Criticism
Collins, Sue; Hearn, Ralene – 1993
This paper presents three units of study and discusses ways that teachers can incorporate Kenneth Burke's ideas on symbolic action into the basic communication course. The three units discussed in the paper address: meaning in language and symbolic reality; persuasion; and rhetorical criticism. Each unit includes a brief introduction to the topic,…
Descriptors: Higher Education, Introductory Courses, Language Usage, Persuasive Discourse
Hartnett, Carolyn G. – 1983
To do academic work, basic writers must know how to use the forms that express mature thinking. Accustomed to the demands of speech, basic writers often rely on unspecified context to relate ideas, thus failing to establish the connections evident in well-developed thought. While able to use certain cohesive ties such as repetitions,…
Descriptors: Basic Skills, Cognitive Processes, Cohesion (Written Composition), Higher Education
Delgado, Ramon – 1983
One of the best means to create student awareness of play structure is through assigned reading and classroom discussion of successful plays used as models. Various plays from the 1982 edition of "Best Short Plays" are appropriate for discussion of the following structures and techniques: (1) development of conflict and action, suspense,…
Descriptors: Classroom Techniques, Creative Writing, Drama, Higher Education
Montgomery County Public Schools, Rockville, MD. – 1986
As part of the theatre studies program offered by Montgomery County (Maryland) senior high schools, this instructional guide for advanced acting is designed to train students in the rigorous skills of preparing and presenting a character in performance. After listing 11 educational objectives, including being able to identify character elements…
Descriptors: Acting, Characterization, Drama, Dramatics
Kear, Lynn – 1988
Louise Rosenblatt's reader response theory can be applied effectively to film study in the classroom. Although there are differences between film and literature, the processes that one uses to make sense of literature and film are similar, and Rosenblatt's theory provides not only a valuable addition to film theory, but teachers of film study will…
Descriptors: Auteurism, Classroom Techniques, Film Criticism, Film Study