Defines visual literacy and considers a number of elements of wordless picture books that contribute to the development of visual literacy in students. (FL)

Describes a film study program to help students open up to the beauty that exists around them. Notes that key ingredients of the program are a linkage between the films shown and the asking of probing questions. (RL)

The author analyzes variations in composition and feeling apparent in simple sketches of the same object by three different students. (SJL)

Encourages teachers or school librarians to conduct a lesson in visual literacy by having children examine book design. Discusses book jackets and endpapers as book design elements, and highlights illustrations from five children's picture books. (PEN)

This brief history of the development of alphabet books includes a list of alphabet books for elementary and middle school children. A strategy for the use of these books in class involves these steps: choose books; set a purpose; introduce books; read them; describe them; compare and contrast them; evaluate them; and compose your own books. (DG)

An effective and easily overlooked resource for conducting visual literacy activities at the elementary secondary level is the picture book collection found in most elementary school libraries. In these times of inflated prices and budget reductions, K-12 librarians and teachers should not fail to make use of these materials. There are a variety…

Suggests a simple, adaptable pattern for teaching the grammar of films and television, i.e., its agreed conventions of vocabulary and syntax. A variety of feature-length films and extracts are listed to illustrate the concepts being taught as well as film distributors and addresses. (MBR)

Stereoscopes can be used to teach visual art students the process of eye accommodations. A classroom activity is described. (RM)

The meaning, characteristics, and applicability of visual literacy for early childhood teaching are examined, and concrete suggestions for introducing photography to the young child are offered along with specific camera-related activities. (MP)

Discusses the advantages of using photographs in history instruction and suggests questions teachers can ask to help students analyze photographs. (SJL)

A playful series of activities using the "Yellow Pages" as a resource. (Editor)

Describes how network television can be used to teach visual literacy in the composition classroom. Claims that television's "look" is pervasive and rhetorically powerful. Analyzes the program "Twin Peaks" as it relates to the medium's codes. Suggests how the program might be used to teach students about these codes. (HB)

Describes the collaborative listening-viewing guide, a lesson framework for promoting students' visual literacy. Notes that an important feature of the guide is the use of flexible grouping, where students are encouraged to share what they see and recall, to contribute their personal experiences, and to build more elaborated constructions of…

Asserts that visual literacy will increase in importance as mass communication continues to exploit the use of images as the basic conveyors of information. Explores the role of visual literacy and art production in discipline-based art education. (JDH)

Guidelines for talking about art with elementary students are presented. A critical factor in developing children's art talk experiences is an organized, well rounded, and well developed plan that recognizes the differences between talk about student art and more general talk about professional art. (RM)