Presents two articles in which teachers describe how film can be used in the language arts classroom to accomplish many of the same things that books can. Shows, in particular, how film facilitates the teaching of literary terms and devices and how it heightens interest in the student research paper without detracting from the basic lessons of the…

Proposes a study of "Citizen Kane" in high school using a somewhat simplified version of post-modern literary critical theory. Chooses this film because of its familiarity and accessibility and because the ambiguity and indeterminacy of its text allow room for exploration by students. (NKA)

Makes a case for asking students to produce their own film version of Shakespeare's "A Midsummer Night's Dream." Explains how to manage student filming projects logistically; how to teach students about filming techniques through the study of modern movies; and how filming becomes a lesson in the interpretation of Shakespeare. (TB)

Explains how the movie "The Lion King" may be used to elucidate Shakespeare's "Hamlet," a play about a prince who does not always seem heroic to modern audiences. Gives specific points of comparison between the two works concerning heroes, characters, conflicts, themes, ending scenes, and archetypal patterns. (TB)

Based on Ken Kesey's novel "One Flew Over the Cuckoo's Nest," this lesson plan presents activities designed to help students understand that all works of art lend themselves to critical reviews; critical reviews consist of opinions and support for the opinions; and a critical review may compare and contrast a work in one medium to the same work in…

Discusses ways speech communication instructors can use the film "Thelma and Louise" in an upper-division rhetorical criticism class to illustrate three different critical approaches: pentadic, feminist, and ideological criticism. (SR)

This syllabus, based on a genre approach to experimental works, focuses on exploring film both as a personal expression and as a medium, rather than as mass entertainment. (PD)

Argues that teachers who use film in the English classroom need to be aware of its conventions and apply these conventions to critical analysis. Discusses camera angles, distance, composition, lighting, camera movements, editing, and sound. (SR)

A teacher discusses an English class' response to Solzhenitsyn's novel "One Day in the Life of Ivan Denisovich" and the controversial film, "Scum." (HOD)

Describes how, in his class on script analysis, the author has students watch videos of stage productions or films of a play that they have previously read. Includes a resource list of plays on video and where they can be obtained. (SR)

Using films, readings, and textual and intertextual analysis, the course covers the cinema of India, Egypt, Mexico, Argentina, Chile, Brazil, Cuba, and Senegal. (PD)

Argues that Fritz Lang's film "Metropolis" deserves exploration and analysis because of its outlandish plot, dazzling visual and technical elements, and its reflection of the closing days of Weimar Germany. Presents a brief study guide designed to stimulate student curiosity and facilitate further interest in the film. (RS)

Argues that elementary language-arts teachers should expand their definition of "text" to include film, a valuable instructional material. Notes that today's elementary students come to class with a great deal of knowledge about films--prior experiences which teachers can tap into. Discusses the application to film of reader-response theories. (SR)

Examines how movies have formed history by (1) analyzing theories of history; (2) comparing historical perspectives in certain films; and (3) exploring how film language and techniques reflect history. Focuses on films from the United States, Europe, Japan, or Brazil. (PD)

Provides a sequence of assignments, and the theory upon which they are based, for composition courses that include film. Includes ordering information and an abstract for the film "Silent Snow, Secret Snow," upon which the assignments are based. (TJ)