Raku is an ancient Japanese process of firing pottery in which the bisqued piece is glazed and placed in a preheated kiln. Described are the benefits of substituting sawdust and charcoal for firing pottery by those people who do not have access to a kiln. (KC)

Described is the process of making four pottery items: a planter with drainage dish, a bird feeder, a square pot, and an oil lamp. (KC)

Described is the process of firing clay pottery through the use of a charcoal kettle grill, an inexpensive alternative to the kiln. (KC)

Art teachers at the middle school or junior high school level usually find themselves in a program teaching ceramics. The most essential tools needed for a ceramics class are discussed. Different kinds of clay are also discussed. (RM)

In two related articles, the author describes (1) a field trip during which his high school ceramics club collected clay from the outdoors and (2) the process he used to create primitive pottery pieces from such material. (SJL)

To help them get the cylindrical shape necessary for making pottery beer mugs, high school art students used flexible armatures stuffed with vermiculite. (RM)

Presents an elementary art activity that successfully teaches the process of slabbing by having students create fishbowl plaques. Explains the process step-by-step beginning with a demonstration to the students along with showing previous examples. Endorses a type of clay that fires white because the glaze colors are much more vibrant. (CMK)

Suggested is an alternative to the traditional ceramics instruction which uses prewedged and prepackaged clay and highly sophisticated kilns: begin with the digging of clay and end with the construction and firing of a trench kiln. (KC)

The paper describes ways of incorporating a ceramic program into existing curricula for exceptional children. The program focuses on the process of producing clay products and has as its goals: tension release, heightened self-image, improved coordination, personal growth and emotional maturity. The manual describes organizatonal structure, goals,…

Describes an art project that integrated science and art education. Explains that students create ceramic bowls by using real leaves. Discusses the process of creating the ceramic bowls, including how to glaze the bowls. Includes a list of materials. (CMK)

Focuses on a reduction-firing process with an aim of producing high-quality blackware similar to the black-on-black pottery of Maria Martinez and other American Indian potters. Includes a lesson on creating reduction-fired seedpod bowls, lists of instructional resources and materials, and the objectives and evaluation. (CMK)

Three student projects using clay are discussed. These include a ceramic wall panel with an eagle motif, clay vessels formed by coiling clay, and clay puppets made with light bulbs as armatures. Instructions on materials, forming techniques, and finishing are given. (IS)

Describes an art project in which beginning art students created ceramic vegetables that are supposed to be functional, such as a container. Explains how the teacher can demonstrate the process of creating the ceramic vegetables. Includes a list of materials. (CMK)

Presents two activities that enable students to work with clay: a tile project and turkey candle-holders. Explains that before students actually create their own projects, they get an opportunity to experience the clay itself. Asserts that the new vocabulary, unusual equipment, and intriguing techniques make ceramics a motivating activity. (CMK)

Describes an art lesson that was part of the Youth Art Month (YAM) in Georgia with the theme of "YAM: Piecing It Together." Explains that the students created self portraits using black outline pens and markers. Reports that all portraits were attached to ceramic tiles and placed on the "Millennium Wall of Fame." (CMK)