This survey report relates and analyzes the results of an exhaustive survey study of the status of theater in U.S. high schools. The report is divided into six sections. Part 1 is a general description or "snapshot" of the status of educational theater. Part 2 takes a look at the people who teach theater. Part 3 is an examination of…

This article explores the use of ironic performance in education, particularly around issues of human rights. I examine my own efforts to engage audiences with the history of domestic espionage and sabotage by the intelligence agencies of the United States. This is a history well known to some marginalized counterpublics (see Fraser, 1997), but…

A paper presented at All Association Luncheon of annual convention of American Educational Theatre Association (34th, Washington, D. C., August 24, 1970). (Editor/RD)

The ideas and techniques of post-modernist art and the imagist theatre represent an important preparatory stage in the revival of poetic drama. During the 1960s and early 1970s, a number of experimental companies rebelled against the realism of the American theatre and began to produce works that stressed emotional authenticity in acting, active…

The essay deals with a Ugandan production of Brecht's Mother Courage and her Children and the issues raised when it travelled from Uganda to the United States, South Africa and back to Uganda. It explores the shift in perception and conception that happened/happens to both image and national identity when a production moved from one cultural…

This essay uses the concept of the constellation to characterize the relations among interdisciplinarity, cultural memory, and comparative literature. To do so entails: (a) reviewing the paradoxical interdisciplinarity of comparative literature, (b) tracing its establishment at a liberal arts college (Bryn Mawr College, USA), and (c) describing a…

This directory presents a comprehensive report on the educational theatre in the U.S. More than 60,000 data are given which describe this field as it is represented in 1,581 regionally accredited U.S. colleges and universities. The culmination of more than 18 months' work by the AETA College Curriculum Project, the book's purpose is to furnish…

Secondary school theatre programs in the United States range from a single class or an annual play or musical to programs with comprehensive curriculums and production seasons headed by several certified theatre teachers. Whatever the size of the program, whenever adults are engaged in dynamic educational and artistic experiences with children…

Improvisation, or creative dramatics, has come to be regarded as a learning tool in English instruction. This study provides a comparative history of informal drama as it developed in England and the United States from 1910 to 1975. Pivotal writers on improvisation were identified, compared, and contrasted, analyzing their goals and practices.…

Based upon responses from 363 schools and centered on all types of dramatics activities. (CH)

This article summarizes the results of a survey titled "Theater as a Tool for Language Teaching," which was conducted at 309 American and Canadian universities and colleges. The results describe whether, in what form, and with what experience theater had been used as a tool in foreign language learning. (AB)

This article examines the "My True Voice Project," a mentorship-based program that uses principles of theater education to teach students effective oral communication skills. This project offers a unique model for how arts education can teach children vital thinking skills, strengthen traditional skills, and build community. As such, the…

Various aspects of the role of the state in fostering creative art and cinematography are discussed in the two reports presented in this volume. In "The Role of the Market in the Relation Between the State and Cinematographic Creation" Jean Lescure emphasizes that this relationship should be viewed as one of complicity rather than…

Over the past decade, "out-of-school time" and "after-school programs" have been identified as objects of research, funding, and policy initiatives across federal and state agencies as well as public, private, and nonprofit foundations. The increasing attention to and funding of programs that engage youth outside of the formal…

This review of current uses of drama in the teaching of literature deals with drama that is "concerned with experience by the participants, irrespective of any function of communication to an audience." Chapters are devoted to (1) the British-influenced Dartmouth Seminar proposals emphasizing drama and oral language, (2) American…