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Fezile Sibanda; Máiréad Dunne – Sage Research Methods Cases, 2024
This case study concerns the use of one-to-one storytelling inspired by Ubuntu philosophy as a research method. Ubuntu is a Bantu, Nguni (African) philosophy that is encapsulated in the saying, "I am because we are, and since we are, therefore I am." This inspired the use of one-to-one storytelling as a method, as it provided space for…
Descriptors: Foreign Countries, Story Telling, African Culture, Personal Narratives
Garry, Josh – Teaching History, 2021
Josh Garry describes his effort to refresh his approach to teaching the British transatlantic slave trade. Drawing on reading, lectures and discussions during an Historical Association Teacher Fellowship programme, Garry built a sequence of lessons designed to contextualise the trade while showing African agency and complexity. The result was a…
Descriptors: African Culture, Foreign Countries, History Instruction, Fellowships
Lyndon-Cohen, Dan – Teaching History, 2021
In this article, Dan Lyndon-Cohen makes the case that history departments should move from diversifying the curriculum to decolonising it. After reflecting on some examples of how he made the content of his lessons more representative, he explores how the influence of writers such as Michel-Rolph Trouillot and Emma Dabiri inspired him to find…
Descriptors: History Instruction, Curriculum Development, Educational Change, Course Content
Bishop, Elizabeth – Educational & Child Psychology, 2020
Aim(s): This research explored perspectives of play according to parents of Somali heritage and primary school practitioners, in an English primary school. At its core, it aimed to investigate the frequently overlooked cultural dimension of play and how this affects the education of Somali heritage children. The broader contentious concern of the…
Descriptors: Play, Cross Cultural Studies, Child Development, Elementary School Teachers
Rogers, Asha – English in Education, 2015
In 1998 the Northern Examination and Assessment Board selected the poem 'Nothing's Changed' by the South African writer Tatamkhulu Afrika as the last of its ten "Poems from Other Cultures and Traditions." Published in the NEAB "Anthology" (1998), 'Nothing's Changed' became a favourite at GCSE for its vivid depiction of…
Descriptors: Poetry, African Culture, Authors, Social Change
Gilpin-Jackson, Yabome – Journal of Transformative Education, 2014
This article describes the findings from a study of the transformation experiences of African war survivors to understand how the process of transformative learning is experienced in posttrauma contexts. A narrative inquiry was conducted based on 12 interviews of African war survivors in Canada and 6 autobiographical accounts of survivors living…
Descriptors: Transformative Learning, Trauma, Social Change, Moral Development
Williams, Robert; Hewison, Alistair; Wildman, Stuart; Roskell, Carolyn – Children & Society, 2013
This paper presents findings from a qualitative study undertaken with 46 African and African Caribbean men exploring their experiences of fatherhood. Data analysis was informed by Connell's theoretical work on changing gender relations. Findings indicate that fathers' lives were mediated by masculinities, racism, gender, migration and generational…
Descriptors: Blacks, Fathers, Foreign Countries, Qualitative Research
Yamada, Shoko – History of Education, 2009
This paper investigates the educational philosophy and practices of Achimota School, which was established in the Gold Coast Colony (the southern part of today's Ghana) in 1927 as the governmental model school for leadership education. Achimota's education aimed to develop leaders who were "Western in intellectual attitude",…
Descriptors: Educational Philosophy, Leadership Training, Foreign Countries, Instructional Leadership
Banham, Martin; Plastow, Jane – Research in Drama Education, 2006
This paper discusses the impact that teaching and research on African theatre in the Workshop Theatre of the University of Leeds' School of English may have had in Africa and elsewhere. After surveying the productivity and influence of the Workshop Theatre to the present, the authors ask if they have contributed meaningfully to the development,…
Descriptors: African Culture, Theater Arts, Universities, Foreign Countries