Historically, spectacle emerges as an inevitable phenomenon in any society, and is crucial to promote a sense of identity and community. Leading up to the present day, spectacle becomes even more central to culture due to the increasing importance of the mass media. Yet, spectacle rejects any "a priori" ethical alignment; namely, it can possess a bright or a dark character. Because spectacle is a source of values, myths, and symbols that directly impact our psychological, emotional, and material lives as individuals and as members of communities, it is crucial to encourage life-enhancing spectacles while being mindful of their negative potential. In this article, the author examines the various ways in which the word "spectacle" has been used, including his own characterization of this concept in order to reach a deeper understanding of "Artichoke"'s work. "Artichoke" is a British non-profit organization that specializes in large-scale public art. The organization has organized twenty-three art-centered spectacles in different parts of the United Kingdom. This article analyzes some of "Artichoke"'s extraordinary spectacles and the enduring, life-affirming impact of its art-based, large-scale public events on individuals and communities across the United Kingdom.