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Direct linkManfredi de Bernard; Roberta Comunian; Sarah Jewell; Elisa Salvador; Dave O'Brien – Industry and Higher Education, 2024
This paper reflects on the systematic interconnections between creative workers and higher education institutions (HEIs). Despite the latter representing key intermediaries in creative industries' development and creative workers' career trajectories, the relationship between the two has rarely been framed in a relational and systemic framework.…
Descriptors: Foreign Countries, College Graduates, Drama Education, Acting
Winston, Joe; Strand, Steve – Research in Drama Education, 2013
This article is based upon research into a participatory Theatre in Education (TiE) programme that toured the West Midlands in 2009, funded by the UK's PREVENT initiative intended to counter the radicalisation of young British nationals by extremist political groups. The article provides a summary of the TiE programme and then presents…
Descriptors: Drama, Foreign Countries, Audiences, Aesthetics
Stanistreet, Paul – Adults Learning, 2011
Open Stages is Britain's biggest amateur theatre project, a hugely ambitious scheme to bring the professional and amateur theatre worlds together. It is a learning project but, as the Royal Shakespeare Company's Ian Wainwright tells this author, it is not only the amateurs who are learning. Wainwright states that the amateur and professional…
Descriptors: Foreign Countries, Voluntary Agencies, Volunteers, Theaters
Peterson, Grant Tyler – Research in Drama Education, 2011
This article revisits radical playgrounds of the past to offer a productive dialogue with recent debates on how child environments can foster citizenship and community. Joan Littlewood's playground projects are familiar examples of theatre techniques being applied to develop children's sense of belonging in a city. This essay considers the less…
Descriptors: Citizenship, Role Playing, Children, Playgrounds
Bottoms, Stephen – Research in Drama Education, 2010
This essay considers the performance context and aesthetics of "Journey Woman", a play devised to initiate a week-long rehabilitative groupwork programme for female prisoners. Although Geese Theatre UK are one of the country's longest-established companies specialising in drama work within the criminal justice sector, this 2006 piece is…
Descriptors: Theater Arts, Audiences, Foreign Countries, Females
Haddon, Anthony – Research in Drama Education, 2006
The happy ending is that The Theatre Company Blah Blah Blah has arrived at a clear statement of aims and objectives, and the long story is the 20 years of theatre making within the field of theatre in education, involving moments of clarity followed by periods of complete confusion as to why we were doing what we were doing. The question which…
Descriptors: Theaters, Theater Arts, Youth Programs, Artists
