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Topçuoglu, Umut Deniz – International Journal of Curriculum and Instruction, 2022
In this study, the operability and teachability of the Orkhon script (tamgha writing) notation system, which was developed for the mouth harp instrument, was checked. The process in question was examined in three sub-dimensions. In this context, the structure of the notation system developed for the mouth harp instrument, the relationship between…
Descriptors: Musical Composition, Musical Instruments, Music Education, Turkish
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Demirci, Sirin A.; Nergiz, Eda – International Education Studies, 2021
It is thought that to be successful in piano education it is important to understand how composers composed their solo piano works. In order to understand contemporary music, it is considered that the definition of today's changing music understanding is possible with a closer examination of the ideas of contemporary composers about their artistic…
Descriptors: Musical Composition, Music Techniques, Music Education, Musical Instruments
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Alper, Akgül – Educational Research and Reviews, 2021
This current study primarily focuses on the contribution of the etudes, which have a significant role in piano education, to musical expression and narration improvement. Starting from this point of view, Op. 65 etudes by Albert Loeschhorn which were released as studies for improving technical and musical expression and with the aim of being used…
Descriptors: Music Education, Musical Instruments, Music Techniques, Music Activities
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Kayis, Mert; Hardalaç, Naciye; Ural, A. Berkan; Hardalaç, Firat – African Educational Research Journal, 2021
Makams of Classical Turkish Music have been tried to be classified through various studies for the past years. Significant differences of opinion have emerged in the classification process of the makams in Music Education and Literacy from past to present. This situation creates problems in learning the makams related to music education and…
Descriptors: Foreign Countries, Folk Culture, Music Education, Classification
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Demirci, Sirin Akbulut; Nergiz, Eda – African Educational Research Journal, 2020
The curriculum used in amateur and professional piano education is shaped according to the physical and mental state of the students. Easy access to piano literature that can be used in case of one hand and/or one arm disability is important in terms of contributing to the students and piano instructors. For this reason, it is aimed to determine…
Descriptors: Music Education, Musical Instruments, Teaching Methods, Foreign Countries
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Turan, Hamza Serdar; Demirci, Sirin Akbulut – Journal of Education and Training Studies, 2018
Piano lessons which take place in music education departments involve example works of Turkish and world composers, education music examples, piano literature and learning-teaching techniques. Within this context, Ulvi Cemal Erkin, who is a member of The Turkish Five, wrote a composition called "Duyuslar," which consists of 11 pieces and…
Descriptors: Foreign Countries, Music Education, Musical Composition, Departments
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Sakin, Ajda Senol – Higher Education Studies, 2018
Extended flute techniques, which are frequently found in contemporary flute literature, carry the flute to a different dimension, pushing the boundaries of composers and performers. Although the number of pieces containing these techniques in the world has increased rapidly, along with Turkish flute repertoire, written Turkish sources about…
Descriptors: Foreign Countries, Questionnaires, Music Education, Music Techniques
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Deniz, Jale – Educational Research and Reviews, 2020
The research is aimed to evaluate the impact of fine arts high school music department program on the piano playing skills of students. In this context, it was determined to what degree fine arts high school students thought the school program contributed to their piano playing skills and differentiation of student opinions as per their gender and…
Descriptors: Program Evaluation, High School Students, Fine Arts, Music Education
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Yucetoker, Izzet – Educational Research and Reviews, 2015
The aim of this research is to prepare undergraduate music education students for a course model to write songs accompanied with one voice and show the functionality of its application. A first lesson was given to selected working groups and were asked to write children's songs accompanied. It was accompanied by the model described in writing…
Descriptors: Undergraduate Students, Music Education, Singing, Musical Composition
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Coskuner, Sonat – Educational Research and Reviews, 2016
Today, some of the important dilemmas of music education are that performers are too dependent on the notes in a written musical score and they are not being so able to improvise. Stage phobia, lack of motivation and problematic of perception regarding today's modern music are additional problems facing musicians. This research aims at revealing…
Descriptors: Music Education, Sign Language, Musical Composition, Workshops
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Sönmezöz, Feyza – Educational Research and Reviews, 2015
This study determined the levels of recognizing piano works of contemporary Turkish composers, the importance of practicing these works and difficulty in playing these works by the prospective music teachers in the Departments of Music Education in Turkey. Furthermore, this study performed a comparative analysis on the opinions of the prospective…
Descriptors: Foreign Countries, Musical Instruments, Music Education, Musical Composition
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Otacioglu, Sena Gürsen – Educational Research and Reviews, 2016
The study was conducted to establish which variables cause the interrelations between musical self-esteem and performance-anxiety levels of students receiving professional music education at different institutions to vary. In relation to this framework, "musical self-esteem" and "performance anxiety" scores of students…
Descriptors: Self Esteem, Music Activities, Musical Composition, Anxiety
Akbulut, Sirin – Online Submission, 2011
First musicians using polyphony and homophony in their compositions can be seen during the 19th century in Turkey. These talented amateur composers, who worked in simple forms, such as marches or educational music, were not actually professional composers but either orchestral or choral directors. Later, during the Republic period (after 1923),…
Descriptors: Undergraduate Study, Music Education, Musicians, Foreign Countries