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Esmari Oellermann; Ronel de Villiers – Perspectives in Education, 2024
Music-kings and -queens are musicians who facilitate experiences in spaces where community music (CM) and music education (MusEd) make music. These musicians lead and facilitate musicking to enrich people's music, social and cultural lives. This paper specifically explores two diverse projects occupying in-between musicking spaces that have been…
Descriptors: Music Education, Musicians, School Community Relationship, Music Teachers
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Mason, Nicola F. – General Music Today, 2014
Multicultural curricula that explore African musics often focus on the commonalities among its musical traditions. Exploring the diversity of individual African musical traditions provides a pathway to the multiplicity of sounds, cultures, beliefs, and uses inherent within African and all multicultural musics. Deeper insights into the diversity of…
Descriptors: Foreign Countries, Music, Music Education, Multicultural Education
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van Vreden, Mignon – South African Journal of Childhood Education, 2016
In South Africa, possibilities to utilise music to contribute to the holistic development of preschool learners are under continuous investigation. However, music education in the Grade R classroom is limited due to insufficient time in the daily programme and a lack of sufficient musical training amongst generalist educators. The urgent need to…
Descriptors: Foreign Countries, Music Education, Early Childhood Education, Teacher Competencies
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Nompula, Yolisa – South African Journal of Education, 2011
I explore the role and value of African music in education, by drawing from a study of Grade 5 learners at a school in the Eastern Cape, which was designed to answer the question: Could Xhosa children in South Africa sing Xhosa indigenous songs significantly better than European folk songs? The experimental group received instruction in Xhosa…
Descriptors: African Culture, Folk Culture, Music Education, Music
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Dontsa, Luvuyo – International Journal of Music Education, 2008
While there is a keen interest in indigenous African instrumental music among South African university music students, indigenous music instruments such as the "umrhubhe" (musical bow without a calabash resonator) have not found their way into the classroom. Most music departments focus on the teaching and learning of western instruments…
Descriptors: Music Education, Music, Museums, Indigenous Populations