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Uno, Roberta – Theatre Topics, 1994
Analyzes the issue of censorship in relation to how it has influenced anti-apartheid South African playwright/director Mbongeni Ngema's theatrical style and the evolution of his style from the socio-political context in which he works. Illuminates the playwright's strategies for overcoming censorship. Discusses his most well-known work,…
Descriptors: Apartheid, Censorship, Cultural Context, Foreign Countries
Gardner, Viv – Research in Drama Education, 2005
The essay deals with a Ugandan production of Brecht's Mother Courage and her Children and the issues raised when it travelled from Uganda to the United States, South Africa and back to Uganda. It explores the shift in perception and conception that happened/happens to both image and national identity when a production moved from one cultural…
Descriptors: Foreign Countries, Cultural Context, Audiences, African American Children
O'Mara, Joan; Long, Kathleen – 1994
Athol Fugard, a white South African playwright/actor/director of international renown, has worked toward the establishment of an integrated, multiracial theater not associated with the white South African establishment. In his plays, Fugard has made racism and the ravaging effects of racial tension come alive as he presents aspects of these…
Descriptors: Apartheid, Cultural Context, Foreign Countries, Higher Education