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Barolsky, Kathy – Research in Drama Education, 2021
This article explores how whiteness is enacted and negotiated from the perspective of a conductor in a Playback Theatre performance (PT). The article addresses how PT provides a stage for exercising opportunities for "doing white differently" in post-apartheid South Africa. It argues that "Doing white differently" takes place…
Descriptors: Social Change, Racial Segregation, Whites, Theater Arts
Joseph, Michael; Ramani, Esther; Tlowane, Mapelo; Mashatole, Abram – South African Journal of Childhood Education, 2014
The extensive empirical research inspired by Piaget and Vygotsky's theories of make-believe play has been criticised for restricting data to Western, urban, middle-class children. We seek to redress this bias by researching the traditional black South African Pedi children's game Masekitlana. Our data relies on embodied memories enacted by Mapelo…
Descriptors: Play, Criticism, Ethnography, Blacks
Sutherland, Alexandra – Research in Drama Education, 2013
The use of sexual violence as a means of power and control within the South African prison system has been well documented. Sexual violence is intimately linked to the gendering of roles, such that rape and coercive sex is used as a brutal means of imposing a feminised identity; a violent enactment of who penetrates and who gets penetrated. Within…
Descriptors: Sexuality, Violence, Foreign Countries, Scripts
Singh, L.; Francis, D. – South African Journal of Higher Education, 2010
Our article arises out of our involvement in an undergraduate module (Drama Education 310) at UKZN Faculty of Education, where we used workshop theatre to explore how students construct knowledge and develop socio-cultural understandings of critical events in society such as Xenophobia. The project reflects how young black students constitute…
Descriptors: Critical Theory, Stranger Reactions, Workshops, Social Change