A RATIONALE IS PROVIDED IN THIS INTRODUCTION FOR AN 11TH-GRADE ENGLISH CURRICULUM IN LITERATURE, LANGUAGE, AND RHETORIC. THE SECTION ON LITERATURE JUSTIFIES A SPIRALLY-DEVELOPED CURRICULUM, AN INDUCTIVE TEACHING METHOD, AND AN ANALYTICAL APPROACH TO PLAYS, POEMS, AND FICTIONAL WORKS AND EMPHASIZES THE INTERDEPENDENCE OF FORM AND CONTENT. IN…

DISTINCTIONS BETWEEN THE NARRATIVE AND DRAMATIC MODES CAN BEST BE UNDERSTOOD BY EMPHASIZING WHAT IT MEANS TO THINK AND CREATE DRAMATICALLY. ALTHOUGH BOOKS (WHICH ARE READ) AND PLAYS (WHICH ARE SEEN) TREAT PLOT, CHARACTER, AND SETTING SIMILARLY, CONVENTIONS THAT PARTICULARLY DISTINGUISH THEATRICAL FORM ARE--(1) THE AUTHENTICATING REALITY OF THE…

THIS POETRY UNIT FOR 11TH-GRADERS ILLUSTRATES HOW VERSE STRUCTURE AND POETIC TECHNIQUES CONTRIBUTE TO A POEM'S MEANING. IN PART 1, IMAGERY, METAPHOR, SYMBOLISM, IRONY, PARADOX, AND MUSICAL AND RHYTHMICAL SOUND PATTERNS ARE DISCUSSED AS WAYS OF SAYING THE "UNSAYABLE" AND OF REINFORCING THE MEANING AND MOOD OF THE POEM. THE POEMS OF SUCH…

THE NARRATIVE MODE CAN BEST BE UNDERSTOOD THROUGH A STUDY OF THE CONVENTIONS WHICH SHAPE A STORY'S FORM AND SUBSTANCE. OF PARTICULAR IMPORTANCE IN PERCEIVING THE INTENTION OF THE NARRATIVE IS TO LOOK AT THE CONVENTION OF POINT OF VIEW--THE…

THE BASIC CONVENTIONS THAT SHAPE THE CREATION OF THE SHORT STORY AND THE NOVEL ARE EXAMINED IN THIS 11TH-GRADE LITERATURE UNIT. THE SECTION ON THE SHORT STORY ILLUSTRATES NARRATIVE FICTION FORM THROUGH THE SHORT STORIES OF FORSTER, JACKSON, STEINBECK, THURBER, POE, MCCULLERS, HAWTHORNE, MANSFIELD, SALINGER, STEELE, AND COLLIER. EMPHASIZED IN EACH…