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Alexandria R. Schmidt – ProQuest LLC, 2022
Since the end of the 19th century, musical theater has thrived and continued to grow as a prominent American artform. Though musical theater has roots in classical style singing, it quickly capitalized on the inclusion of contemporary music trends, notation, orchestration, and themes. Because of its influence from contemporary styles, musical…
Descriptors: Theater Arts, Music, Music Education, Higher Education
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Robinson, Shannon Marie – College & Research Libraries, 2016
The research behaviors and library use of dance scholars are widely unknown, particularly in regard to issues of access to historical materials and new technology preferences. In the past thirty years, college and university dance departments in the United States have developed into independent, research-based programs. Despite the lack of current…
Descriptors: Dance, College Faculty, Academic Libraries, Artists
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Enciso, Patricia; Cushman, Camille; Edmiston, Brian; Post, Robin; Berring, Danielle – Research in Drama Education, 2011
Ensemble-building is a practice within drama education that is understood to be a powerful metaphor for democratic living. However, this ongoing work in classrooms also demands that teachers understand and enact a broad, interrelated range of knowledge, skills, and values that support participants' encounters with conflict and representations of…
Descriptors: African American Students, Theater Arts, Urban Culture, Educational Change
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Dorsey, Francis E. – Western Journal of Black Studies, 1983
Describes the genesis, philosophy, and activities of the African Community Theatre Arts Program (ACTAP) at Kent State University. ACTAP, which has an extensive community outreach program, attempts to promote and develop Black consciousness and cultural awareness throughout northeastern Ohio. (GC)
Descriptors: African Culture, Black Community, Black Culture, Higher Education
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Cox, James – Journal of Research in Music Education, 1989
Attempts to determine the type of rehearsal organizational structure used by successful Ohio high school mixed chorus directors. Examines relationships between rehearsal structure and either teaching style or student attitudes. Results imply that music methods courses should offer a variety of rehearsal organizational strategies. (Author/LS)
Descriptors: Choral Music, Classroom Research, Higher Education, Instructional Improvement