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Arugha A. Ogisi – Journal of Historical Research in Music Education, 2024
Nigeria's triple music heritage of traditional, Islamic and Western music should have informed her formal music education curriculum. Instead, western music was used by the early Christian missionaries that it became difficult to integrate indigenous music traditions into the curriculum that music could not gain traction as a school subject across…
Descriptors: Music Education, Educational History, Barriers, Foreign Countries
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Adeogun, Adebowale Oluranti – Music Education Research, 2021
This article argues that coloniality is an ongoing feature of university music education in Nigeria. It uses a multiple colonialisms framework in exploring Nigerian higher music education systems as historical and contemporary sites of colonialism within which Nigerian universities engage in music knowledge generation to reach this conclusion. It…
Descriptors: Music Education, Educational Change, Higher Education, Foreign Countries
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Ukuma, Shadrach Teryila – Research in Drama Education, 2020
This article presents the "Kwagh-hir" performance tradition of the Tiv people, Nigeria, as an alternative for negotiating sustainable cultural development. I argue that cultural contexts must be considered in any development project to mitigate against the prescriptive, external templates which result in a 'one-size-fits-all' approach to…
Descriptors: Performance, Sustainability, Cultural Context, Power Structure
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Omobowale, Ayokunle Olumuyiwa; Omobowale, Mofeyisara Oluwatoyin; Falase, Olugbenga Samuel – Global Studies of Childhood, 2019
The Yoruba of Southwestern Nigeria describes children as the heritage of the society because children occupy a special place in societal survival and continuity. Children are esteemed and appreciated. Thus, the embedded culture propagates the essentiality of children, the need for proper socialisation and internalisation to make a responsible…
Descriptors: Cultural Context, Popular Culture, Ethnic Groups, Children
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Mokwunyei, Josephine Ngozi – International Journal of Music Education, 2008
Although it is generally accepted that music is universal, we can imagine that every culture has a way of describing or talking about its music. The purpose of this article is to examine some aspects peculiar to the musical traditions of the Anioma people of Southern Nigeria from indigenous perceptions of their cultural modalities. The focus is on…
Descriptors: Music, Musical Instruments, Foreign Countries, Indigenous Knowledge
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New, Leon J. – Music Educators Journal, 1980
Looks at the impact of Western ways on Nigeria's traditional culture, as exemplified by public education, and, particularly, music education. (SJL)
Descriptors: African Culture, Culture Conflict, Developing Nations, Elementary Secondary Education
African-American Inst., New York, NY. School Services Div. – 1975
Insights are offered into how speech, melody, and rhythm dramatize the differences in the construction and interpretation of music for Africa and America. Intended for use in instructing American students about African music, the learning module relates music to traditional African culture and maintains that the music is at the same time…
Descriptors: African Culture, African Languages, Area Studies, Black Studies