Teaching artists typically work as solo agents, without the comradery of a like-minded community. After a year of focus groups, teaching observations, and conversations with school and arts administrators, we identified a need for experienced teaching artists to have a chance to reflect upon, renew, and reconsider their teaching practices with…

Innovation and learning come together in a vibrant manner during dynamic arts education classes led by teachers who understand the importance of collaboration and student improvisation.

The Solomon R. Guggenheim Museum launched a project, the Guggenheim UBS MAP Global Art Initiative, with the goal of broadening the geographic representation of the Guggenheim's holdings and to create a truly global collection. Inspired by this project, this article discusses three contemporary artists: (1) Navin Rawanchaikul, from Thailand; (2)…

Before high school students step outside of the classroom and bring their work into the world, educators can help them understand that art is not solely for self-expression and beauty. Art and design can enable a voice to be heard, address social issues, engage the public, and evoke critical thought. This instructional resource introduces four…

In this lively and groundbreaking book, arts educator Marit Dewhurst examines why art is an effective way to engage students in thinking about the role they might play in addressing social injustice. Based on interviews and observations of sixteen high schoolers participating in an activist arts class at a New York City museum, Dewhurst identifies…

The purpose of this study was to examine the impact of the Everyday Arts for Special Education (EASE) program on elementary special education students' academic achievement (reading and math) and social-emotional learning. EASE was a 5-year program providing professional development and instruction in the arts in 10 New York City special education…

Describes the New York City Board of Education's Arts Partners program which brings artists into the schools to provide learning experiences to students. Points out ways in which the artists are provided the opportunity to improve their instructional skills. Concludes that everybody benefits from the effort. Provides Board's address for requesting…

Discusses the implementation and benefits of a program involving Noriko Prince, a painter and art educator; Pedro Silva, the sculptor who directed the building of the mosaic bench around Grant's Tomb Memorial Plaza; four elementary schools in District 3, Manhattan; teacher cooperation; parent support for funding; City College sponsorship, and a…

Explains how artist, Tim Rollins, worked with Kids of Survival, a group of secondary school students in the South Bronx area of New York City, to create large scale art works inspired by Franz Kafka's book, "Amerika." Describes scale, materials used, use of contrasts, and inspiration for these artworks. Suggests similar art activities…

This report describes the development, implementation, and evaluation of a pilot project by the Studio in a School (SIAS) arts group to place professional artists in six preschools and kindergarten programs in New York City public schools. The SIAS program provided both on-site, hands-on visual arts training of teachers and aides and direct…